Painting - Page 49 of 50 - a-n The Artists Information Company

To Depattern
Blog Artist

Random Writes.

In keeping with my Twitter name @ruthrandom, a freer more in-the-moment blog. Expect anything.

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Baby Bird I
Resource Profile

Gary Hume

Annabel Tilley talks to Gary Hume about twenty-five years of practice, prizes and paint.

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Metatopia
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Nick Fox

Alice Bradshaw talks to Nick Fox about cuts in art education, the John Moores Painting Prize, balancing work between two cities, and being called a painter.

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Joe in his studio
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Career profile: Joe Simpson

Since graduating from Leeds University in 2007 Joe Simpson has developed his craft as a painter blending his practice with commissions and more personal projects. With his show ‘Musician Portraits’ open in London, and his portait of Maxi Jazz in the BP Portrait Award 2011, he takes time out to fill us in on his career so far.

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At Home with the Ashtons (detail)
Resource Archive Feature

Big picture – 2011 June

Ben Ashton, At Home with the Ashtons (detail), oil on board, wooden structural installation and mirror, 2011.

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The Flamingo
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Rosalind Davis

Is surface texture, pattern and ‘the natural’ an escape or a trap? Rosalind Davis talks to Andrew Bryant about this and other questions in her work written about in her Artists talking blog.

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6 obliterations - innocence
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Jane Boyer

Despite setting up a successful jewellery business with her husband, blogger Jane always knew she was an artist and eventually found the time and space to develop her painting. Andrew Bryant talks to Jane about business, the relationship between art and craft, the obsession with interpretation and about feminism and painting.

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Man
Blog Artist

Paint and the Self

In this blog I reflect on my ongoing artistic practice, primarily painting and drawing.

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Head
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Graham Crowley on the state of play for contemporary painting

Graham Crowley is one of the most distinguished living painters in the UK today. As the deadline closes on entry to the John Moores 2010 competition, Kate Brundrett asked him for his views on the competition’s significance and for his ‘take’ on the state of contemporary art practice.

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Saville’s road

Charles Saatchi saw one of Jenny Saville’s paintings and commissioned a series, but she believes it’s hard work and dedication that sustain her.

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