Professional Practice - Page 4 of 5 - a-n The Artists Information Company

Creek Man - Arriving at Snape
Resource Profile

Jayne Knight

Jayne Knight is Arts Development Manager at Suffolk County Council. She was the driving force behind Making Art Work, an ambitious and widely regarded professional development programme for Suffolk-based artists that ran from 1999 until 2006. She talks to Jane Watt about how the scheme developed, her work in a local authority and survival tips for rural-based artists.

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Linda Ball
Resource Profile

Linda Ball

Linda Ball is project leader of Creative Graduates Creative Futures the largest research study to date about the career paths of art and design graduates. She talks to Jane Watt about the research, her own experience of a portfolio career and the importance of having creativity at the core of professional practice.

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Persistence Works, Yorkshire Artspace, Sheffield
Resource Profile

Yorkshire Artspace

Mir Jansen, Programme Manager of the professional development programme at Yorkshire Artspace in Sheffield talks to Jane Watt about how the studio organisation continues to support artists, the parallels between an artists and an organisations profile development, and her top five tips on making funding applications.

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Stoke-on-Trent Tour Guide
Resource Archive News archive

Bridging gaps

Interrogation Walsall that explores the impact that one artist can make in one place in one day is part of Longhouse’s annual programme, which provides professional development opportunities for artists working in the public realm.

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Bamboo Split Container
Resource Profile

Abigail Branagan

Abigail Branagan has been advising artists and makers for over a decade. She is a freelance business advisor as well as Business Development Manager at Cockpit Arts in London. She talks to Jane Watt about what makes a good advice session and how makers are weathering the economic storm.

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Heard and Not Seen: Be Seen
Resource Profile

Career profile: Mitra Memarzia

Mitra Memarzia is a freelance artist/educator, creative producer and associate lecturer. She graduated in 1998 from Fine Art (Combined Media & Arts) at Sheffield Hallam University, where she went on to study a combined theory and practice Mphil. Focusing on […]

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Resource Archive News archive

Resale right review

In July, the UK Intellectual Property Office launched a consultation to assess the likely impact of Artist’s Resale Right and the derogation for deceased artists on the UK art market.

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The Miraculous Draught of Fishes (Hampton Court Palace 2008)
Resource Archive News archive

Creative focus

Over seventy creative and cultural industries specialists participated in CreativeAmbition 2, the annual professional development event of the CreativePeople network.

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Resource Guide

Setting up an artist-led space

Russell Martin’s guide to running your own gallery demystifies the process of setting up an artist-led space and highlights the issues to consider before taking such a step.

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Resource Guide

Establishing a studio group

This guide by Jonathan Waring covers the process of establishing a studio group: from having the initial idea, bringing together a likeminded group of artists and getting hold of a space, to running the studios effectively on a day-to-day basis.

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The Code of Practice for the Visual Arts: Artists
Resource Archive Document

Code of Practice – Artists

A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.

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Research Working practice

Art work analysed: 2003 – 2005

Accompanies the ‘Art work 1989 – 2003′ analysis of artists’ jobs and opportunities. Reviews the situation in 2005 and compares findings with those from 2003. Discusses the implications for artists in 2006 and beyond.

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Resource Guide

Going for grants

Applying for funding? Ever wondered how the experts do it? Rosemary Shirley asked a range of experienced artists, curators and arts professionals to share their top tips for successful funding applications.

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Resource Guide

Good exhibition practice

Encouraging a consistent attitude to quantifying the value of artists across the exhibition and gallery world.

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Resource Guide

Good practice in paying artists

Aimed at public sector arts employers, commissioners, consultants and arts trainers, Good practice in paying artists addresses the context for fees and payments for artists’ residencies, workshops and community commissions. 

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Research Working practice

Artists’ rates of pay 1989-2004

Provides sample historical rates of pay for artists from a range of organisations and compares artists’ rates with those of arts managers.

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Resource Research paper

Artists’ rates of pay 1989-2004

Analysis of past and current situation for artists’ fees and payments, introducing some issues for artists, employers and policy-makers to consider in the future.

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