As my first post on my ‘rebranded’ instagram account, I have decided to post one of the activist drawing videos that I made – specifically the one of Lucie Morauw. I have decided to go with this video first, as […]
Professional Practice - a-n The Artists Information Company
As we all know, Instagram can be a fickle place to share your work. This is largely due to the algorithm and the way that it decides whether posts are interesting or not. One way to make sure that your […]
I put off writing my instagram bio for a while, as I couldn’t work out what exactly I wanted to put in it, nor the style I wanted to write it in. In the end, I decided to be very […]
The instagram bio is a short (150 character) introduction to you and your practice. This means whatever you put there has to be concise and quickly explain what you do, and share any other important links etc. I have take […]
After doing a little research on other successful artist Instagram pages, I have updated my page with the new username, and a new profile picture, as you can see from the screenshot below: Although I have changed the username to […]
As I mentioned at the end of my previous blog post, I now need to focus my attentions on the visuals of my instagram account, and the image that I want to create when sharing my work online. Up until […]
The above image shows my now blank art instagram, from which I can now work up. Although I didn’t mention it on the previous post, a key area of change for me is the name or handle, as although I […]
Sample day rates to guide arts budgeting and help visual artists negotiate a fair rate of pay for short-term contracts.
The question of where I fit has been rattling around again. Over the last few months various things have made me wonder about this – a rather wide range of things actually. I think that I survive (or at least […]
It felt great to pick up the keys to my new (second!) studio yesterday evening. The room is going to get a coat of white paint before I move in – as if I need to emphasis the difference […]
Almost exactly as I made that last post I got a message letting me know that there are two studios still available at the Hospital and that I was very welcome to come look at them! I read the mail […]
Professional practice 2 module blog. This blog will be reviewing other artists’ blogs, social media, websites and other platforms. This will help me develop my own practice and gain an understanding of what works for me as a practitioner.
When selling work through a gallery, how does an artist deal with VAT on sales commission? This guide by financial services experts Counterculture and VAT advisory service SOC VAT explains the two principle methods.
A budget is an essential tool for any artist planning a new project, making a funding application or drawing up a business plan, while a-n’s Exhibition Payment Guide asks artists to provide a clear exhibition proposal and budget in advance of negotiation. This guide by the Cultural Enterprise Office in Glasgow offers straightforward advice on how to construct and manage a simple budget.
a-n’s Exhibition Payment Guide says artists should make sure they provide clear evidence of their work and experience when approaching a gallery with a proposal. This quick guide offers advice on the main areas to consider when developing a proposal, and includes tips on what to include when responding to an approach from a gallery or making a speculative pitch.
Artists and advisers identify key questions to ask to help sift the good opportunities from the mediocre, and the downright mendacious.
In the first part of her Negotiating with confidence guide, Rivca Rubin, a trainer-facilitator-mediator, coach and mentor, discusses how structure, attitude, and the ‘power of words’ can facilitate successful negotiations.
In the second part of her guide to negotiations, Rivca Rubin discusses how through active language choices, we can create more satisfied and invigorated negotiations with galleries, organisations and commissioners.
Contemporary Arts Programme Manager at the National Trust Grace Davies explores the benefits to non-arts organisations of commissioning artists outside of traditional gallery spaces, and offers some top tips for artists to consider when making an application.
Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.
a-n/AIR’s Exhibition Payment Guide calls for written confirmation of exhibition and financial details in the form of a contract or letter of agreement. This quick guide offers 12 key points an agreement should cover.
Negotiation is one of the four core principles of a-n/AIR’s Exhibition Payment Guide. This quick guide offers 10 tips for better negotiation.
A best practice reference guide to use when creating an agreement for a solo or group exhibition with a gallery or organisation presenting visual arts. You can also use the a-n Contracts Toolkit to build a contract to the specific exhibition context, and this checklist will support you with this.
Colin Hambrook, disabled artist and editor of Disability arts online, gathers a selection of quotes and advice about the practice and development of disability arts from artists, arts managers, curators, producers and gallery directors working within the sector.
Colin Hambrook provides an introduction to the history of, and current practices in the field of disability arts, including an overview of key organisations that support disabled visual artists.