This piece is the amalgamation of bodily forms, the unholy trinity. It describes the conjoinment to the devil, the becoming of a gateway. It distinguishes the damned women, the pythons, those who the devil speaks through. The sexed temptresses are […]
I have been studying crouched figures and the negative spaces they produce; spaces formed from curved stomachs, thighs, arms and breasts pressed together. I began carving these shapes out of wax and soap. Making the impressions of where the body […]
The performance ‘Trial’ takes its name from the Trial by Cold Water in which the accused Witch is thrown into a river and found innocent if she sank, guilty if she floated. The rigged, paradoxical nature of this trial was harsh […]
Why Louise Bourgeois’ sculpture ‘Quarantania, I’ has new-found relevance in our lockdown life.
Working in homemade lye soap and its relevance surrounding the genocide of witches.
Eduardo Paolozzi: Michelangelo’s ‘David’ (?1987) In 1987, Eduardo Paolozzi (1924–2005) was walking past Harrods in London when he spotted a window dresser setting up a display using a plaster cast of the head of Michelangelo’s David. Apparently on impulse, he borrowed […]
Enter sculpture for 48 hour non stop exhibition on beach. Over 10,000 visitors, 200,000 reach on social media. Sculpture must light up with renewable energy and withstand the wind.
I’m extremely excited to share the news! I’ve been awarded an Arts Council England Project Grant to present: No Thing is Immediate Geometric Sculptural Installations.
I’ve just completed the online Riso-Hudson Enneagram Type Indicator, which was inspired by watching Robert Holden’s five week online training course Coaching Success. What was interesting about the results were they exactly matched what I expressed in my latest work […]
I am interested in the notion of Nothing, and what nothing is? I imagine that when I look into darkness or pure black, the absence of light is the boundary of the universe, creating a memory of what it was like before Being.
I ran my crowdfunding campaign (to help with foundry costs to cast my sculpture in bronze) with nothing but preliminary drawings, maquettes and digital visualisations of the piece in situ. Bearing in mind that in the past my art has […]