Self Employment - a-n The Artists Information Company

Workshop with children, 2017. Courtesy: Sarah Blaszczok
Resource

A guide to DBS checks

As an artist or freelancer working (on a paid or voluntary basis) in certain environments – such as running workshops in schools or with vulnerable adults – requires you to undertake a check by the Disclosure and Barring Service (DBS). Educator Sarah Blaszczok explains why a DBS check is needed, how to get one, and the costs involved.

6 2
Juan Bolivar: 'Geometry Wars', solo exhibition at John Hansard gallery, 2008. Photograph: Steve Shrimpton. Courtesy: Juan Bolivar
Resource Guide

A guide for new curators 

Juan Bolivar, an artist and curator, explores the history and practice of curating, and provides ten key questions for independent curators and artists to help guide you in developing your first exhibitions. Bolivar’s painting practice runs parallel to his curating practice; first initiating TRAILER (2001-05) – an artist collective utilising temporary locations to stage exhibitions – and since, going on to curate over 40 exhibitions as an independent curator.

0 1
a-n Crowdfunding for the arts workshop – at FYCreatives Blackpool, November 2016, led by Hen Norton. Organised in partnership with LeftCoast. Courtesy: Hen Norton
Resource Guide

Funding your work: crowdfunding and patronage platforms

Hen Norton explores the use of fundraising platforms online and offers her top ten tips to help you build a sustainable creative business or project, and reach a wider and more engaged network of supporters through crowdfunding. 

0 4
Emily Speed, The Committee, 2015. Courtesy: Emily Speed
Resource Guide

Assessing opportunities

Artists and advisers identify key questions to ask to help sift the good opportunities from the mediocre, and the downright mendacious.

1 3
Mass: Lotti V Closs, installation view, SYSON gallery, 2015
Resource Guide

Approaching galleries

Jennie Syson, director of the commercial gallery Syson in Nottingham, offers some advice on approaching galleries, through setting out the different research routes and methods you might use.

2 11
mg2
Resource Guide

Proposals: exhibitions in galleries

Proactively seeking out opportunities to realise exhibitions and projects is an important strategy in the arts. Adam Smythe, Curator at the Bluecoat in Liverpool, gives some advice on the best methods of approaching galleries with exhibition proposals for your own work or for curatorial projects.

0 4
exhibition-payment1
Resource Guide

Exhibition contract checklist

A best practice reference guide to use when creating an agreement for a solo or group exhibition with a gallery or organisation presenting visual arts. You can also use the a-n Contracts Toolkit to build a contract to the specific exhibition context, and this checklist will support you with this.

0 1
exhibition-payment
Resource Guide

Budgets

A budget is an essential tool for any artist planning a new project, making a funding application or drawing up a business plan, while a-n/AIR’s Exhibition Payment Guide asks artists to provide a clear exhibition proposal and budget in advance of negotiation. This guide by the Cultural Enterprise Office in Glasgow offers straightforward advice on how to construct and manage a simple budget.

0 2
Resource Guide

Pensions for artists

Primarily aimed at self-employed artists, this guide sets out why people should be considering a pension or retirement plan and offers advice on a number of different choices that are available.

0 1
Resource Guide

Tax Credit

Artists on low incomes may be able to apply for Child Tax Credit or Working Tax Credit. This guide offers advice on eligibility and how to apply.

0 0
Resource Guide

Getting paid

As a professional artist you may spend a good part of your time sending out invoices, chasing payments and generally worrying about your cashflow. This guide considers different payment options and offers practical advice on managing debtors.

1 0
Resource Guide

How to deal with VAT on sales

When selling work through a gallery, how does an artist deal with VAT on sales commission? This guide by financial services experts Counterculture and VAT advisory service SOC VAT explains the two principle methods.

0 0
Resource Guide

Becoming self-employed

If you are an artist or arts organisers who earns income from a variety of sources, self-employment is usually a good option as it enables you to work for many different people and perform more than one type of work. This guide by financial services experts Counterculture explains what self-employment means, how to register as self-employed, and how and when you will need to pay tax.

0 8
Resource Guide

The artist’s fees toolkit

Enables artists to calculate an individual daily rate for services they supply based upon their unique circumstances and overheads and to prepare quotes when pitching for freelance work.

10 5
Counter culture
Resource Guide

Universal Credit

Universal Credit is a new benefit that is designed to support people who are on a low income or out of work. This guide by financial services experts Counterculture explains how Universal Credit is calculated and how it may impact those who are self-employed.

1 3
Resource Guide

Negotiating a better rate of pay

Getting paid a fair fee is not suggestive of a revolution. So why does it sometimes incur resistance, both from those who pay and from ourselves? This guide by Rod McIntosh introduces ideas towards getting paid what you want and indeed deserve.

0 2
Resource Guide

Quality on a budget

In an ideal world you would only embark on projects where there is sufficient funds available. This guide by Rod McIntosh outlines an approach to finding workable compromises whilst maintaining quality for times when money is tight.

1 5
Resource Guide

Agreeing a contract

This guide by Sheena Etches and Nicholas Sharp outlines issues and practicalities to be aware of when negotiating and agreeing a contractual arrangement.

2 0
Resource Guide

What is a contract?

A contract is an agreement between two or more people that is legally binding. It can be verbal or written. This guide by Sheena Etches and Nicholas Sharp outlines the essential ingredients of a contract, offer and acceptance, and implied terms.

0 0
Resource Guide

Commission agreements

This checklist by Sheena Etches and Nicholas Sharp covers many issues relevant to small-scale private and public art commissions, with questions to consider and further explanation of issues arising in the notes.

0 1