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So, should the floor be painted another colour or not? It’s the standard art-school-grey at the moment, but is to paint it a completely different colour going to be taking the entire installation down the theatrical route? If the colour is referencing a floor colour which could / has been used in a domestic environment going to be not so much shifting the space, as attempting to make it into something else? So a different shade of grey?

I’m a little concerned that the shades of white that I’m using might be so, well, white, that there won’t be much of a distinguishable difference between them. And it’s also been brought to my attention that the photograph printed on the reclaimed letter is a little too black and white, where perhaps a bit more subtlety involving grey might have been preferable. It’s also going to be a bit tricky trying to make this appear as if it’s in the wall in a gentle way – I’ve had to bench the plaster idea, as I realised that I really wouldn’t have time to learn how to plaster properly, and the finished result would most likely look like I hadn’t had much time to learn how to plaster properly. So the photograph is behind the lining paper, and idea is to rub / sand the paper away, and perhaps involve a little silver-leaf somewhere along the lines.

I’ve also realised that I’m thinking of these ideas in terms of something ‘finished’ again – an easy trap to fall into I think, when preparing for a public exhibition. However, part of my original philosophy in approaching this particular exhibition was to try and think of the work / works in terms of ideas in progress, thoughts and suggestions. Perhaps I need to be thinking in terms of this again….

I’m going to find out about different shades of grey paint tomorrow.


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I worked out the other morning, that if I just paint the lining paper back to the art-school-come-gallery brilliant white it’s not going to be enough of a shift. So, I’m going with shades of white, taken from some of the paper-based items I’ve collected. I also don’t think it’s going to work if it’s all just lining paper, it could all just be too little – not so much subtle, as nothing. I think that a touch of pattern might be required, so I’ll see next week if it’s possible to paper Anaglypta the wrong way round, so that the pattern appears like it’s going into the wall.

The mould of the jar is finished – just need to wait for it to dry out completely before pouring the slip. I want to get to terms with the photograph next week, before finishing off the walls and wallpapering at the weekend.


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