Turning attention to materials which carry a message, I recently visited Jessica Ogden “Still” exhibition in Marylebone and learnt how certain patterned fabrics , Madras check, Gingham, Paisley , have strong cultural associations . A well known fashion designer, Jessica Ogden deconstructs old quilts before  beautifully working on the revealed history they contain in a long pursued drive to up-cycle and honour the marks, uniqueness and value of each textile. Each worked piece in the exhibition had a function and could also be  viewed as an abstract composition.

It has emphasised textile patterns cross boundaries with travelling people  and are adopted by host cultures.

www.events.arts.ac.uk/event/2017/5/26/jessica-ogden-still


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Seduced by the delicacy of organdie, I have repeatedly used it in past work. It has a satisfying response to folding and creasing too, like paper. Also like paper it both contains and reveals. So it has re-emerged in my sample pieces. When coloured orange it maintains transparency but is less delicate. I have to question whether we choose certain materials  to work with in a positive way or become limited by them, a restricted vocabulary which inhibits risk.

 


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