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The Stair Show is all up and ready. Officially opens on Friday but we have already had positive feedback from the tenants within Leroy House (office block aimed at creative businesses). The group exhibition is part of Islington Exhibits ‘ an initiative to unlock hidden venues in Islington and give artists and craft persons a space to display their work..’

Everything was hung in two evenings, was secretly relieved that the others were apprehensive about hanging the work ourselves. The walls are made out of something stronger than what walls are normally made out of (technical huh?), so harder to drill. It all came together and has transformed a no space into a dynamic space for art whilst maintaining its functionality. Details of the show and other exhibitors can be found here.

The white space is here to stay and but there are other platforms that can be explored as well. Within a gallery, an artwork sits upon historic rules constructed by artists, art institutions and the viewers themselves; these rules are both accidental and intentional. Perhaps outside the usual gallery space the boundaries of art are less defined. Both types of space are important to my practice.

Without a gallery setting, I was reminded of all the processes, decision making and roles involved in the organisation of an exhibition. At times we are technicians, handypersons, web-designers, photographers, marketeers, advertisers, secretaries, health & safety officers, accountants, critics, writers, invigilators, IT technicians, couriers (recently I lived close enough to transport my work to a gallery by bus – reckless but brilliant), fund raisers, researchers oh yeah and artists. I’m sure the list is endless …


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Really pleased Something’s happening was in Junes top 10 Artist talking blogs and was selected as a Choice blog by Tim Ridley.

I like the fact that Artists talking is a space for the other stuff. The important/unimportant strands, strands that we don’t always allow/have time or space for. Here doubts and questions can be addressed, picked up and put down, as and when.

Attended a portrait class this week, completely different to life drawing. Trying to find, then steal, and finally hold the visual identity of the sitter in a two dimensional form; really challenging.

The sitters weren’t professional (no offence!), we sat for each other. It was different to the scenario of an actor getting into character. Here it seemed a case of getting out of character, perhaps even a tendency to try and hide the personality, to display only the physical. Are both the physical and the psychological needed? – hypothetical I guess, it would be difficult to sit completely as a piece of flesh; void of psychological traits.

My recent paintings are absent of figures, the aim is to fill the absence of a figure with what I imagine the absent figure would sense; a psychological familiarity.


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