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Monday 11 May

Michelle Rowley

This has been an incredible trip for us all. We have done so much in such a short space of time and have achieved unexpectedly high rewards whilst being constantly challenged, facing our fears, having a lot of fun and making a lot of friends. We have learned much, much more about our individual capabilities and stretched ourselves as artists.

This was the first time I had led on both an international and a collaborative project. In the early stages of the planning for this trip, as far back as September '08, BYU's Joe Ostraff was enormously helpful in forming a focus for the project and especially since January when we began to turn plans into reality. Our joint positivity allowed us an easy agreement of primary ideas that would drive the project and gave me confidence in my ability to deliver an appropriate learning experience for both his students and mine.

Teaching students who's abilities and knowledge were unknown to me was a daunting thought. Now I've done it, and had such supportive feedback from the BYU students, I know not to worry. In fact the diverse expertise of the group was something that on this collaborative project was a great extra resource. Specialist skills were shared across the groups and this exchange of approaches and experiences was both gratifying to witness and richly rewarding for all.

In retrospect I now know that it was because of the atmosphere of respect, trust and mutual curiosity which we generated that allowed this to happen. We did this through a varied range of activities from presentations on our home city, of our individial art practices, introductions into book arts production, through sharing ideas and fears for the project and through the fast track to bonding – the camping expedition.

The 'Mapping the West' project has introduced many of us for the first time to the idea of 'wilderness', to what it means to us as a culture and why we might want to protect and revere wild states in nature. This direct experience has posed us, individually and collectively, with many questions about ourselves and our place in the world. We have also considered the cartographer's art of map making, of what we include and exclude in our topographical guides to landscape and of the narative of experience that is mostly unrecorded in grid references.

In travelling through this region we have made our own maps, which have been formed through memories of this amazing place, the stories we tell each other on our return and of the generosity and friendship of the people we met. This is what you will find in our books.

Thank you so much to Joe and his family, and Amy and Tali for putting us up and putting up with us and to all the staff and students at BYU.

www.movingfeast.co.uk


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Monday 11 May

Lydia Garritsen

The Utah trip was definitely a once in a lifetime experience with an environment and scenery that was inspiring. I enjoyed the book collaboration immensely and I was glad we had the chance to use the materials and printing methods that our college does not facilitate

Julie Dodd

I will have many fond memories of my time in Utah. I have spent the last two weeks in the company of friends I regard dearly. Its been an unexpected experience of a lifetime. I have learnt much more about my art practice and about myself too. I've conquered fears and ventured into many unfamiliar territories. I've been edged out of my comfort zone almost constantly.

Being unable to screen print I turned to digital methods and was challenged by a programme I was unfamiliar with. I was pushed to the limit with time running out, but after tears, I thrived under pressure. With more time i would have made slight adjustments, probably evident only to myself. I have left feeling excited at being reunited with my family, but also saddened at the ending of this adventure and at leaving my new friends behind.

Paul Bearman

By collaborating and sharing ideas the students from WMC and BYU were able to develop their work to a really high standard over a short period of time. This process culminated in a rich and varied exhibition which demonstrated the admirable strength of commitment, by both staff and students, to the project. For myself, I found this interactive work ethic very beneficial and I have carried away with me many further ideas which I would like to pursue for future projects.


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Monday 11 May

Scot Hornby

Utah was a place I never thought I would visit in my life time. It's not the usual holiday destination, or one of the regular areas that tourists visit in America so to have had the opportunity to go there, I am forever grateful. The landscape is indescribable, since I've been back home poeple have asked me "what is it like?" and I haven't been able to even touch upon doing these places justice. The scale and colours of the landscape just cannot be fully justified in words. Even the photographs only give a small glimpse into the experience. I couldn't write about my experiences without mentioning how wonderful the poeple were who we met out there. We received the warmest welcome and were treated with such care. To go to places so far away from home, a place which is considered so culturally different, and to be welcomed with open arms and accepted into a family home was something I will never forget and I really do hope I have the chance to visit Utah again in the future. A dream come true!

Caroline Race

What have I brought away / learned from the project? I have learned to work under extreme exhaustion and pressure and still be able to produce a piece of work that I am satisfied with. This project has enabled me to adopt my methods and practice to incorporate different materials and unfamiliar tools and studio space. Most importantly it has been the people I have worked with, both my peer group and the American tutors and students, who have made the trip special. Team work has been exceptional. The hospitality and the large, well organised meals provided on the camping trip for 40+ people was a site to behold and something to be treasured and used for future projects.

Patricia Graves

What a two weeks!! We packed in so much, tried to learn some new skills, but only scatched the surface. With time constraints being so fine, there were decisions made that would have taken me weeks at home. Not much time to put Plan B in action when Plan A was not working as well as was hoped. Learning to use a Mac took some time to pick up the basics too. Poor Julie had Illutrator to adjust too as well. It was really hard to leave my piece behind, it felt so strange.

All in all, it was a lot of hard work to produce a piece for the show, but so worth it interms of a learning curve of imense proportions and a of a great all round life experience. Thanks, Michelle, for all your hard work in setting up this opportunity for us.


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