109 Neckinger Estate
Friday, March 11, 2016
Sunday, March 27, 2016
109 Neckinger Estate London SE16 3QJ
Felix Gannon


Felix Gannon

11th – 27th March 2016
Fri – Sun 11am – 6pm
or by appointment – [email protected]

In Charles Booth’s ‘Survey into Life and Labour in London’ (1886-1903) he wrote in his section on Bermondsey: ‘there lives a very poor population. I know no set of people in London who look quite so poor… I know no district of equal extent so depressing to the spirit’. In the Victorian and Edwardian era, Bermondsey was characterised largely by its docks on the Thames. The poorly paid labour force for the local industrial works, producing and receiving goods was unable to afford homes in or travel from the richer suburbs so lived locally often in one of the numerous local slums.

Reports made by Victorian, socially concerned writers and researchers brought the public’s attention to the poverty present in London’s East End. Well educated, religiously minded missionaries came to Bermondsey and made settlements amongst the poor, recruiting local people, in particular boys and young men, in an effort to instil in them the values and virtues they believed would equip the poverty-stricken to escape their plight. One such mission was the ‘Oxford and Bermondsey Mission’ founded by John Stansfeld in a building on Abbey Street where the Neckinger Estate and this exhibition is situated. ‘Fratres’ was the motto adopted by John Stansfeld, representative of his frequently used phrase ‘We are all brothers’.

The display in the flat will comprise of a selection of watercolour paintings made from images drawn from archives relating to the Oxford and Bermondsey Mission picturing members of the boys’ club. Other material will draw attention to the current character of Bermondsey. The flat where the display is shown will appear as it would normally in its domestic use.

The objective of this open house is to offer, in a playful and not especially direct way, an opportunity to investigate social aspects of the area’s history and to look at how the ideas that defined Victorian and Edwardian social activism may be interpreted in Bermondsey today. The method of display will draw from strategies employed commonly by authorities to communicate with the public combined with traditional artistic methods. The past will merge with the present.