It’s been far too long since my last post (back in April!). Much has happened in-between, including an exhibition in London at W3 Gallery, a feature in One & Other Magazine, and two commissions (one for the Tour de France, […]
Started back at college today and our tutor was talking to our year group about the importance of always having your journal to hand – to capture your thoughts as you think them! She pointed out that by the time […]
An artist’s musings on life in a theological college: part-time Artist-in-Residence, part-time PhD student, full-time head heart and spirit.
I went to Greenham Common again yesterday on my own to record at the site of POL21, where remains of an underground fuelling station are. There are also metalworks above ground. I really immersed myself in the atmosphere of the […]
I have decided to tell the same story again! This time without photos or words. A picture of the dog walk! probably should describe it as a map of the dog walk. A drawing to describe the events that day!
I’ve been struggling to find a focus for this post. Notes and motifs proliferate, make a thicket of urgent ideas – I reach in and my hand comes out stinging, holding too much or too little. The thing is: there […]
To mark the end of this year’s artist-led Bristol Biennial, Hand in Glove hosted a special Interplay discussion to explore what the festival should do next. Julie McCalden reports.
I have to say I am not complaining about the extended summer, even though my project space gets really really hot in the afternoons and it becomes impossible to work in there! It has been a luxury to have such […]
At the end of August I moved to Stoke-On-Trent to begin a Graduate Residency at Airspace Gallery. It has now been just over a month since I arrived. ‘Airspace Gallery is a collaborative, artist led project in Stoke-on-Trent, providing professional development […]
This blog will document my current residency at Airspace Gallery in Stoke-On-Trent.
www.naomiharwin.com – www.naomiharwin.tumblr.com
www.etsy.com/uk/shop/NaomiHarwinPrints
http://www.airspacegallery.org/index.php
I have to say I am not complaining about the extended summer, even though my project space gets really really hot in the afternoons and it becomes impossible to work in there! It has been a luxury to have such […]
I have to say I am not complaining about the extended summer, even though my project space gets really really hot in the afternoons and it becomes impossible to work in there! It has been a luxury to have such […]
today i’ve been accompanied by i’ve submitted to an open competition, it’s a first for me. it’s partly due to some encouragement from a friend. i’m pleased to have gotten all the file compressing and image correctly formatted and […]
For the latest photobook in the celebrated In Almost Every Picture series, the Dutch curator and editor Erik Kessels continues to delve into the treasure troves of vernacular photography to bring us imperfect images where the photographer’s hand appears in the frame. Tim Clark reveals more.
Provides insight into how professionals construct gallery learning programmes, and why these activities can provide transformational experiences, using Tate as a case study.
Riveting analysis of how commercial representation worked for both artist and dealer. Includes details of their contractual arrangements, the type of support that Gimpel Fils offered beyond exhibiting and sales, and the warmth of the relationship. Hepworth is shown to […]
Cross pollination at the Museum for Object Research! Object artists have been stepping up to blog about their work and now Elena Thomas has blogged in response to the Museum’s latest post about ‘transitional objects’ on home turf over […]
Sonia Boué’s new blog “The Museum for Object Research” is making me think. https://www.a-n.co.uk/blogs/the-museum-for-object-research/post/52391526 I kicked it off myself, with a piece about The Bra. I love the way other people’s thoughts and working practices link with mine. The […]
Asia Triennial Manchester is a multi-venue festival of contemporary art which for its third edition takes Conflict and Compassion as its theme. Chris Sharratt reports.
