
Using Conversations
Video guide on how to use the conversation tool for members on www.a-n.co.uk
Video guide on how to use the conversation tool for members on www.a-n.co.uk
With less than three months to go to the Scottish independence referendum, what does Creative Scotland’s recently published Annual Plan 2014-15 say about the country’s approach to public investment in the arts? Johnny Gailey argues that it represents a significant divergence from the UK narrative of funding cuts, economic benefits and philanthropy.
Video guide on how to use the blogging tool for members on a-n.co.uk
The winner of this year’s Liverpool Art Prize is artist and photographer Tabitha Jussa.
Video guide on how to use the review tool for members on www.a-n.co.uk
Arts figures including Brett Rogers of The Photographers’ Gallery and Robin Klassnik of Matt’s Gallery are among those to receive OBEs in the Queen’s Birthday Honours list.
Stoke has one of England’s lowest levels of participation in the arts, something which Appetite, part of Arts Council England’s Creative People and Places programme, is aiming to improve with three years of events and performances. We report from the north Staffordshire city.
The Social Turn: Collaboration and its Discontents Claire Bishop An interesting chapter from Bishops’ book Artificial Hells, we discussed the problems that occur when art becomes instrumentalised by the state. Somewhere along the way (social policy under new labour)it became […]
Arts Council Wales has announced that photographic artist Helen Sear will be representing Wales at the 2015 Venice Biennale.
A Glasgow city centre bar is hosting a week of discussion and debate around the Scottish Referendum, including an evening event hosted by the Scottish Artists Union.
Lucy Lippard, Walid Raad and Allora & Calzadilla are among the 100 signatories of an open letter calling on participants to withdraw from Creative Time’s Living as Form (The Nomadic Version), in response to it showing at a university with links to the Israeli military.
This week we suggest there’s more to the Serpentine’s summer programme than Marina Abramovic’s durational performance, that Mondrian isn’t the only thing to get excited about at Tate Liverpool, and that a chance encounter with eight artists in Middlesbrough is worth planning for.
More support will be directed to the arts outside London but the Culture Minister rejects claims of a regional funding crisis. Liz Hill reports.
A new public realm project by Simon Faithfull will be hiding 500 copies of a limited edition artwork in the Tunbridge Wells branch of Morrisons’ supermarket. We talk to the artist and the curators who commissioned the work.
A continuous 24-hour event taking place this weekend in Tate Modern’s Turbine Hall will celebrate the launch of new digital art platform The Space.
Three weeks after a devastating fire at its historic Charles Rennie Mackintosh-designed building, Glasgow School of Art’s Fine Art students present a showcase of their work that is both economical and emotionally charged.
The four museum/artist pairings shortlisted for the Contemporary Art Society’s £40,000 Annual Award have been announced.
The recent AD:uk/NCVO conference, Public Services: The Value of Cultural Commissioning, asked important questions about public sector commissioning of artists and arts organisations. Chris Bailey reports from Doncaster and adds a few questions of his own.
Our PICTURED series on visually-rich art books is one year old. To mark the 25th instalment, Tim Clark takes a close look at The Photobook: A History Volume III, co-edited by Martin Parr and Gerry Badger and the latest instalment from the acclaimed series on the history of the photobook.
That felt like the longest work week ever! But finally I have a day off ( sort of) I’ll be heading over to Macclesfield in a couple of hours with the paper boots crammed into boxes to install for the […]
At this stage of the project I can almost bring you up to date with where we are now. I find the detail of editing video quite a painful process as it is so incredibly detailed and repetitive, each minute […]