Re: Art and oil
Have just picked up on the Liberate the Tate Debate (a-n Magazine, September and October 2010) and will begin by emphatically stating that I am no apologist for the Oil Industry.
Have just picked up on the Liberate the Tate Debate (a-n Magazine, September and October 2010) and will begin by emphatically stating that I am no apologist for the Oil Industry.
Stephen Black suggests that many of the major ‘open submission’ art events are less than democratic in their selection, and therefore a disproportionate number of artists are wasting their money by entering (a-n Magazine, September 2010).
As an artist who has entered open submissions and as a manager of an artist-led, not for profit gallery space (Core Gallery, Deptford) which held its first open submission this year, I feel I can give a slightly different insight into this subject than those laid out in the last two issues of a-n, as to what your open submission fees actually go towards (a-n Magazine, September and October 2010).
The Royal Academy of Arts wishes to record its objection to the published letter by Stephen Black in the September issue of a-n Magazine (Great open submission swindle).
A large gap exists today between the reality of being an artist and the image of The Artist which is portrayed by history and media, and perceived by the general public. Rich White asks what do artists actually do for society, how can they help with regeneration, particularly in a time of recession, and what is its real value?
ArtEvict: www.artevict.com / www.aetext.blogspot.com, London
19 October 2010
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we have space, we have artists, we are developing a presence in southampton, we have an exhibition open at the moment. lots to catch up and reflect on.
Arts Council asked to protect ‘front line’ services despite facing budget cut of 29.6%.
The story so far…Having moved to Brighton in August 2010, to start an MA in Fine Art at Brighton University, my first term featured, amongst other things, a temporary but disfiguring skin condition and an overwhelming sense of disorientation. I […]
As I move through a 2 year MA Art and Design in Education course at the Institute of Education, London. How my work progresses in finding connections to understand, grow and progress whilist focusing on play, participation and social engagement. […]
Bayerns kept up the intense pressure on leaders Novia with a sublime performance against a bewildered Metronova. Three first half goals from their no2 striker helped the Bayerns cause but the boss was far from convinced. ‘There was a lot […]
It took me a long time to decide to do this MA Art and Design in Education and I am happy to say that I started it 3 weeks ago. I was concerned about whether to do MA Fine Art […]
Great day with brilliant totems made by Woodnewton School. Sound needs a bit more work tomorrow – electricians back to finish off. They have been wonderful beyond the call of duty.
Frieze, phone, talk … It felt more like Embassy week than Frieze week. I don’t remember ever being in a foreign embassy in London before and last week I was in three; German, Swedish and Norwegian. It was all art […]
So Sisyphus opens tonight and I myself am not there for the PV at Core Gallery for the first time so a bit nerve wracking but I leave it in more than competant hands. I am doing my art thang […]
The embellishment of international study resounds with the affect of writing and the scripture of applied materials to define a multidisciplinary art practice: but how do you pull yourself away from the developed peer structure of art school?
Max Wigram Gallery, London
13 October – 13 November 2010
South Hill Park Arts Centre, Bracknell
11 September – 7 November 2010