The Parallax View
Airspace Gallery, Stoke on Trent
3-24 November 2007
Airspace Gallery, Stoke on Trent
3-24 November 2007
The Gallery at Sketch, London
15 September – 3 November 2007
Artist’s apartment, New York
3 November 2007
Stephan Weiss Studio, New York
1 November 2007
An Impromptu Performance As I was getting the subway back from the screening of Daria Martin’s film at the Tribecca Grand Hotel tonight, I saw an impromptu performance on the train. Two men got on at East Braodway, one stop […]
I've applied for funding to document recent work. The digital images I have aren't very good and as my practice has become more studio based the artworks seem to be harder for me to photograph well. The funding would be […]
Another meeting today to review progress on the planning of our next Event on 21 November. We went to visit the Court Room and check out the facilities. Water and coffee machines are available. We can mark on an outline […]
I'm pleased to say the method we had devised to mark out the second image worked well. Whilst working on the image I took pleasure in the thought that “pouncing” through a cartoon is a technique that has been used […]
PS1 Moma, New York
28 October – 19 November 2007
Though the imprecision of ideas expressed in Dave Grimblebys letter (a-n Magazine October issue) hampers meaningful dialogue, I do think he is attempting to raise a set of common-place misconceptions and ill-conceived objections to contemporary art. Firstly, Dave is hostile […]
Airport art, as I now like to call it, is the major problem facing biennales, biennials and art festivals today.
There are now over 200 contemporary art biennials across the globe, compared with four or five or twenty years ago.
Rather than asking what a biennial represents, it may be worthwhile to shift the emphasis of the question and examine how it represents. That is: How is it experienced?
Despite common parlance, globalisation is not a synonym for contemporary neoliberal capitalism; it is rather an historical process of cultural drift and metamorphosis.
On a Bench, in New York
1 November 2007
Things have crept up on me so quickly. The showis on Monday. The space; Tether Studios…but I haven’t seen it yet. I am borrowing a projector. The letters have been written. The last letter from matt, I received yesterday, and […]
It’s strange how, as an exhibition gets closer, time speeds up. Somehow I never quite manage to tick off as many things on my daily ‘to do’ list as I hope to. However, a gas company has just started to […]
First Ice I think I'm getting a little low
Revision As I progress I find I look back at things I've written and want to change them. I feel a bit like a naughty school girl making changes to previous entries so I think it is better to reflect […]
The drawings from the Saffron Walden show are now safely packed away in my studio and I have some reasonable photos of the work in my archive. There seems to be a brief interlude in my usually hectic life so […]
Burns Owens Partnership was commissioned to map the creative industries across the City of Bristol, Bath and North East Somerset, South Gloucestershire, and North Somerset. Published 2007.
Summary of process, discussion and conclusions of Arts Council England’s Arts Debate programme from 2006.
Written by the author of ‘Size Matters’, this essay indicates some useful routes for a progression from creative to commercial value, using examples to illustrate some practical methods and outcomes.
Andrea Rosen, New York City
20 October – 24 November 2007
Greene Naftali Gallery, New York
30 October 2007