FusionARTS
How a partnership with their local university helped FusionARTS secure studio premises.
How a partnership with their local university helped FusionARTS secure studio premises.
I arrived in Osaka, Japan with a certain amount of excitement and trepidation.
Gasworks is part of an international network of independent studios around the globe.
Nottingham Studios Consortium is an example of the ‘strength in numbers’ approach in making the case for studio provision.
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
How education work has contributed to this studio’s success.
CRATE successfully accessed economic development and regeneration funds to buy a building.
a-ns events and activities programme is on the increase for 2005, providing even more opportunities for critical discussion and professional networking for artists and their collaborators. An underlying principle for us when generating external projects is to work in partnership […]
Thanks to a partnership with Arts Council England, weve extended the portfolio of material freely available on www.a-n.co.uk around artists fees and payments. Now included is in-depth research by University of Newcastle in artists fees and payments and the attitudes […]
a-ns new year began with a fond farewell to our Editorial Production Manager, Grainne Sweeney. After working with a-n for three years shes decided to focus more of her time on other activities: Ill be spending more time with my […]
Maintaining a critical context is a core ingredient in sustaining an artists practice, as asserted in Dominic Thomas article published this month. He regrets the current culture of avoidance of the core subject in which professional development programmes are seemingly […]
Five years ago I had no choice but to shake my inbred cynicism, learn social skills and become a hairy artisan.
Paul Glinkowski looks at the UK studio landscape, highlighting successful new studio models. He also offers advice to artists wanting to set-up their own group.
ROOM, Bristol
12 January 13 February
Q Arts, Derby
15 January 26 February
Chris Brown of g39 and Louise Short of Station, devisors of Quo Vadis, reflect on the motives, intentions and themes of the event.
Triangle Gallery, SPACE Studios, London
15 January 15 February
Published by Transition Editions
Edited by Paul Murphy
Market Gallery, Glasgow
9 January 5 February
Contemporary Art and Ideas in and Era of Globalisation
Published by inIVA
Dominic Thomas on the importance of a critical context for artists’ practice. One of a specially commissioned set of articles resulting from Quo Vadis available now on www.a-n.co.uk.
Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.
Philip Babot on the cross-border and international achievements of artists’ organisations in South Wales.
Or: Where do you go? Who goes there? Who are we anyway? Carolyn Black enquires.
Sarah Jane Pell with an Australian perspective on the impact of this ‘jam-packed’ weekend.