Strengthens the evidence base for the effectiveness of the arts within criminal justice by providing a clear account of evidence and theory base for the sector as of 2005; includes visual arts and film section.
Profile of the shared workspaces and related services used by visual artists and craftspeople in the Yorkshire and Humberside region in 2005.
2005 report on the working environment of West Midlands designer makers, craftspeople and applied artists at different stages of their careers. It was undertaken to explore activity, identify needs and gaps in provision of professional development support.
Contents include: What is the future of museum curating? Gordon Dalton reports from Curating now symposium. Catherine Wilson profiles inIVA’s achievements over the last decade. Excerpts from Brian Dewan performance hosted by Grizedale Arts. Tim Machin on making a name […]
My work is mostly about perception: the way we look at the world, building up an image of the whole from different fragments.
Outpost, Norwich
1-2, 7-8 December
Piccadilly Circus Underground Station
11 October – 17 January
Spital Square, London
3 December – 30 January
Jane Watt speaks to Nina Pope and Karen Guthrie about their practice, the Bata-ville project and working with Commissions East.
Paul Glinkowski talks to Mark Beasley at the start of his Fellowship at Kingston University.
Catherine Wilson profiles inIVA’s achievements over the last decade.
One of our very early issues laid bare the public arts funding routes. The feature took the form of a twisted neuronal-type structure, revealing Parliament’s funds to the Arts Council of Great Britain at the top and the precise money […]
Evaluation of The artist’s development toolkit by Linda Ball – who wrote and researched it – reveals widespread approval of both contents and usability. Our first interactive practical guide, the toolkit was generated through collaboration between a-n and APD (Artists’ […]
In January, we welcome in Angie Binns as our new Communications and Sales Team Manager. She comes to us from Theatre by the Lake in Cumbria, where as Marketing Manager she was responsible for a substantial customer interests survey and […]
Artists Matthew Hearn and Sarah Warden have recently organised a programme of exhibitions in their studio entitled PRACTICE. Nearly a year after having acquired the space they decided to turn studio into exhibition space and make both their work and […]
This month our Financial Assistant Robin Bootes says “hasta luego” (in very poor Spanish) to the a-n office, as he embarks on a seven-month career break to the exotic climes of South and Central America. We wait with baited breath […]
The economic and social impact of cultural festivals in the East Midlands of England in 2002.
Key findings from 2003 audience research document, commissioned by ACE from the Office of National Statistics
Contents include: Features: investigation of the relationship between art and language, the issues affecting artists in Afghanistan and lasting collaborations for jeweller Mah Rana. Summary of trends in artists jobs and opportunities over 14 years. Group shows reviewed at the […]
Chris Ofili has designed the logo for next year’s celebration of African arts and culture across London. The logo design rotates the silhouette of Africa fifty-two times, once for every country in Africa, with the map rotated around Cape Town, […]
The Life Lines landmark public art commission by international artists Vong Phaophanit and Claire Oboussier will be launched in February. The fifty-four metre long dynamic sculpture will translate the ever-changing sounds, weather and movement of people in Southend-on-Sea into a […]
Established in 1988, London-based Delfina Studio Trust provides the largest international residency programme in the UK. Of thirty studios, twelve are allocated as an award that provides artists with studio space and related facilities free of charge for one or […]
H.arta, an artist-run space in Timisoara, Romania, celebrated its three-year anniversary in December. The organisation – whose name is a play on words, in that ‘harta’ is the Romanian word for ‘map’ – was established to overcome the limitations young […]
A collaborative video work, Exquisite Corpse was initiated by Rachel Cornish as part of a body of work that examines what it means to be ‘here and now’. Cornish was joined by Charlotte Bernstein, Liliana Lopez, Stormsmith Nomi, Eileen Bonar, […]
The Scottish Arts Council’s submission to the Scottish Executive’s Cultural Commission describes artists in a key role in future plans. Amongst a significant ‘wants’ list, SAC would like; “a country where artists are valued, and encouraged to work internationally and […]
