
Making Memories – Art and Outdoor Learning in the Early Years
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Archive
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Venue:
Salisbury Arts Centre -
From:
August 05, 2017 -
To:
September 16, 2017 -
Location:
South West England
Projects from a-n members selected from a-n’s busy Events section, including an event in Birmingham celebrating the band Sleater-Kinney and exhibitions in Medway, Pembrokeshire, Shrewsbury and Oxford.
The work for my a-n professional development bursary has now officially taken longer than expected – it’s probably quite important to document how creative projects are sometimes trickier than anticipated. Other factors can also interrupt play. I’m still not quite […]
The boulder has been taken out of the entrance to Structure 8, and they are removing stones and roof tiles that fell in – to get down to the main slab. Apparently, interesting things are found in doorways. It has […]
The three-year fellowship programme will support emerging artists working with clay by offering three six-month part-time residencies at Camden Arts Centre, with the first fellowship going to London-based artist Jonathan Baldock.
Hi, My name is Dovile Bertulyte, I am contemporary jewellery designer maker. Born and raised in Lithuania I arrived to London to study conceptual jewellery at Middlesex University. My interest in making and creating things started at the very young age […]
The work I did for my residency with the Wealden Literary Festival has, apart from anything else, brought about a rethink of my artist’s statement, to take into account my perspectives on the problematic issue of identity, especially in a society […]
Known for her detailed sculptural works that combine everyday objects and materials with meticulously applied precious stones, metals or fine embroidery, Susan Collis is interested in making us consider the real value of what we might at first think is mundane and ordinary. Anneka French talks to the artist about her major new solo show at Touchstones Gallery, Rochdale.
It is so easy to under-estimate the value of public engagement in R&D – there’s no doubt I’ve been guilty of this myself and have been made to think more deeply about it. In the sort of research I want […]
Yesterday, halfway through my painting, the sky on the horizon went black with rain and a small twister. It was too late to alter the sky, but I think it may show in the way the foreground picked up the […]
Yesterday, halfway through my painting, the sky on the horizon went black with rain and a small twister. It was too late to alter the sky, but I think it may show in the way the foreground picked up the […]
I am at a critical juncture in my creative career; I need to develop strategies that will help push me forward. I wanted to be on StudioBook as I knew the development programme would help me access a ‘tool-kit’ to […]
Hello and welcome to my (much delayed) third blog post. As I’ve previously mentioned, one of the core motivations for applying for a professional development bursary was improving my limited technical skills in bookmaking. Despite my worryingly intense appreciation for […]
L O U I S E C A R R E C K C O M M U T I N G I N T E R V I E W (Edited) S: Could you say who are you and […]
Taking place over the next three years, the new project will include series of public art commissions and an education programme as artists create artworks with and for South London Gallery’s neighbours on the Elmington, Pelican and Sceaux Gardens housing estates.
In the midst of a growth in performative and participatory art at international art biennials, Documenta recently confirmed the site of a new permanent institute in Kassel. Inspired by an academic conference on conserving contemporary art, Laura Harris assesses the challenges the institute faces in a climate where the experiential is increasingly taking precedence over the art object.
Hi everyone – Im due to to be moving across to Edinburgh in autumn for an AIR opportunity at the art college for a year. It would be great to be a part of some kind of peer network or […]
Changeable weather again – so what’s new? Chris, who makes carved stone balls using neolithic tools, has suggested composing a still life of them. Why does Chardin come to mind first, when I empathise with Cézanne’s approach. Chris agrees we […]