Whilst visiting York, I went to see this exhibition, although the subject matter was not directly related to my current practice, I considered the methods of curation and ways work was displayed. I always find the curation of exhibitions at […]
A review about my 40 Years of Printmaking at the ARB in Cambrdige by John Clark Artist from Cambridge
Like everyone else my current thoughts are continually pulled back to the nightmare that Ukraine has become. Compassion, horror and outrage for the Ukrainians and those who have found welcome in Ukraine has created a thought structure in my head […]
Commissions from the 14-18 NOW programme include Danny Boyle’s portraits of soldiers created on beaches and Rachel Whiteread’s Nissen Hut at Dalby Forest in North Yorkshire, while other shows across the UK range from frontline images by nurses and women ambulance drivers, to contemporary artists’ responses to war and the machinery that surrounds it.
Designed by David Chipperfield Architects and costing £56m, the Royal Academy’s newly renovated Burlington Gardens site opens to the public today. Fisun Güner finds that even the toilets are elegant and sculptural.
Highlights for the week ahead selected from a-n’s Events section posted by members, with exhibitions and events in Exeter, Lichfield, London and Stoke-on-Trent.
‘New Narratives’ is the latest show to open at hARTslane, New Cross, London and the exhibition is a part of the hARTslane collective’s ‘Dear London’ project. Given my personal interest in the decline of affordable social […]
This week’s selection of recommended shows includes an exhibition in Wolverhampton of works by seven of the artists who featured in last year’s Diaspora Pavilion at the Venice Biennale, and an exploration of the significance of TS Eliot’s poem The Waste Land in Margate.
Time we reconsidered work by this artist, whose loose style captures real life
A review of Edward Ardizzone’s exhibition at House of Illustration
This week’s selection includes iconic painting in London, a dystopian installation in Liverpool, controversial photography in Derry, and new craft in Portsmouth.
John Stezaker, known for his photographic collages constructed from found images, has turned curator for ‘Turning to See: From Van Dyck to Lucian Freud’ at Birmingham Museum and Art Gallery. Anneka French talks to the artist about his new departure, how he selected works for the show, and where his own art fits in.
Best known for his paintings using Humbrol enamel, George Shaw’s new show is the culmination of a two-year residency at the National Gallery. Fisun Guner finds out how he has responded to the gallery’s collection and gets some tips on how to rejuvenate the Turner Prize.
The 8th Liverpool Biennial is a more modest affair than previous years with less visibility across the city, and while the core programme is deftly curated, it leans heavily on work from the past. Chris Sharratt reports.
Artist in residence Keith Wilson will be discussing his work at S1 Artspace – and asking the audience to help complete it.
The Hepworth, Wakefield
22 October 2011 – 29 January 2012
Textile designers Wallace Sewell’s ‘Barman’ seating fabric was launched this summer as part of the TfL Investment Programme to refurbish Central Line trains in London. The first phase of the new seating is in situ and over time all Central […]
Tate Britain, London
30 September – 18 October 2008
