
Departures
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Archive
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Venue:
The Charlton Art Centre -
From:
July 22, 2008 -
To:
August 08, 2008 -
Location:
South East England
Coming up to a year since I graduated from Nottingham Trent Uni, I am exploring where I am now and how things are progressing.
Bonington Building, Nottingham Trent University, Nottingham
7 – 12 June 2008
Artist Sally Sheinman and curator Sanna Moore talk about working together in the latest in our collaborative relationships series.
Students from universities and art colleges across the UK will be travelling to the capital to showcase their work over the summer.
Birmingham, Birmingham
5 – 12 June 2008
University of Plymouth, Plymouth
25 – 28 March 2008
University of Plymouth, Plymouth
25 – 28 March 2008
Research in bite-sized pieces.
The Yale Center for British Art, which houses the largest and most comprehensive collection of British art outside the UK, has received $415,000 from the Mellon Foundation to support research programmes in the history of British art and culture.
Text-only version of a-n Research paper: Art work in 2007 with live weblinks.
Many artists aspire to permanent studio space, whether self-initiated or rented through a specialist organisation. Here, we explore some current options for artists and makers with the focus not only on developments in London but also elsewhere in England, Wales and Ireland.
Projects unedited blog by Ceci Lombardi & Marco Palmieri
Professional development opportunities are widely available, ranging from cash awards to advisory sessions and critical debate.
Emilia Teleses opening essay offers analysis of the markets for art in the UK highlighting the contradictions and idiosyncrasies of the relationship between artists and money,
Guyan Porter talks about the socio-economic dynamics of art markets and deconstructs notions of the art market in the UK.
Although it is sometimes considered that having an individual studio space is the aspiration of artists, for those who need to use expensive specialist equipment for a limited or specific period, gaining access to a workshop facility with technical support to hand is sometimes the better option.
Gone Tomorrow Gallery, London
7 July 5 August
Bonington Building
6 June 2007 to 6 June 2007