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Harold Offeh outlines how his success as an artist “has been built on the hard efforts, work and activism of previous generations.”

Gary Hume reflects on his successes during the 1990s and on being “prepared to risk my career for being an artist.”

Richard Billingham reflects on the turning points in his photography and experimental films, which he began making during the 1990s.

Catherine Bertola and Rosie Morris provide a platform for women artists and writers to highlight less visible, marginalised and precarious practices.

Jane and Louise Wilson discuss the start of their artistic collaboration in the 1990s, and how a-n is “an essential resource.”

2020 graduate Jody Mulvey discusses founding SADGRADS and her hopes for the future.

2020 graduate Miya Browne considers the role of art and the artist in the 21st century and outlines their vision for the future.

Brian Catling reflects on his work in the 1980s and explains how he made his first performance piece at Whitechapel Gallery “by divine accident”.

Sunil Gupta discusses making work about the experiences of gay men in his hometown of Delhi and setting up Autograph in the 1980s.

Mona Hatoum discusses the ways in which her own work “became more confrontational” in the 1980s through live performance and direct street action.

Read the first 10 conversations in our 40 Years 40 Artists series of interviews with artists who feature in a-n’s archive.

The final print issue of a-n Magazine included a wrap around cover of art works by David Shrigley.