a-n Research editor Dany Louise highlights content that focuses on education in schools and universities in our growing, free-to-view index of visual arts cultural policy and strategy documents.
Dame Liz Forgan’s farewell speech has been widely reported on for its attack on Michael Gove and the EBacc. Here, arts strategist and Thinking Practice founder Mark Robinson welcomes her forthright approach while finding plenty to take issue with.
Commissioned to write a 500-word comment piece, artists Kerri Jefferis, Sophie Chapman and Rosalie Schweiker started thinking about the words we use in the visual arts and the need for new ones. This is what they wrote.
Liverpool’s largest artist-led gallery and studios The Royal Standard is celebrating ten years in the city with a major exhibition featuring 23 artists. Artist, curator and former TRS director Kevin Hunt explains the important role the organisation has for artists in Liverpool and its context in the wider artist-led scene.
We asked artists, arts organisers and writers to comment on how leaving the EU might affect culture and creativity in the UK. Here, writer and researcher François Matarasso, mima’s Alistair Hudson, Katrina M Brown of the Common Guild, Modern Art Oxford director Paul Hobson, and artists Haroon Mirza, Joseph Young and Gordon Shrigley give their views.
Clymene Christoforou of ISIS Arts, an organisation that works internationally with artists to produce and present contemporary art, film and new media, reflects on the spirit of collaboration that our EU status has enabled amongst British and European artists.
Geoffrey Brown of EUCLID shares his views on Brexit and provides a brief overview of practical implications for developing partnerships and applications for EU funding.
a-n’s Executive Director Jeanie Scott comments on the outcome of last week’s EU Referendum, and outlines how a-n will continue to support its membership as we navigate uncharted territory.
In a piece originally published on The Conversation website, Ben Walmsley of the University of Leeds asks whether what the North of England really needs is more investment in artists rather than buildings.
As part of the recent No Boundaries conference in York and Bristol, Arts Council England made two major presentations about regional investment in the arts and the ‘wider benefits’ of arts and culture to society. Chris Bailey was in York and assesses the significance of the ACE reports.
Does joining with higher education institutions bring a promise of financial stability for cash-strapped arts organisations, alongside an increase in audiences? a-n Director Susan Jones reports from an Arts Council England conference that sketched out a new landscape for the contemporary arts.
Arts Council England’s update of its 10-year ‘strategic framework’ makes for sober and serious reading. But while there are no dramatic changes in its ambitions and priorities, Mark Robinson finds a worrying lack of solutions for cash-strapped artists and no recognition of the regional imbalance in arts funding.
As the economy continues to falter and budgets are cut, public funding for the arts is increasingly justified in terms of economic and social benefits. But, argues Shaun Glanville, this is futile and wrong-headed – a new approach is needed.
Alternative insights into the visual arts, with fast-paced news, comment, debate.
Get in touch
[email protected]
a-n offers a range of memberships for individuals and groups – from £38 annually – find out more.
Supported by:
