All that glitters is Goldsmiths
David Briers examines The British Art Show 4.
David Briers examines The British Art Show 4.
Outer space investigates the interface between artists’ practice and the socio-political domain. Devised and edited by Esther Salamon, contributors include Chris Batt MLA, Paul Collard Creative Partnerships, Jonathan Davis CABE, David Lammy MP Minister for Culture, Graham Leicester International Futures Forum and Tom Shakespeare.
2006 is the sixtieth anniversary of the Arts Council Collection, the largest loan collection of post-war and contemporary British art in the world.
ArtSway, the contemporary visual arts centre in the New Forest, has announced that it has completed on the freehold purchase of its gallery and grounds, securing the future of the organisation and offering increased resources for contemporary visual arts in […]
From a-n Magazine May 1995 Minky Manky at South London Art Gallery showed, amongst others, work by Damien Hirst and Mat Collishaw, along with Tracey Emins Love Tent; Christopher Pauling won the £4,000 Mostyn Open purchase prize; Leo Fitzmaurice and […]
Penny Klepuszewska, a 2003 graduate from Nottingham Trent University and Chris Boyd, a Manchester Metropolitan University second-year interactive arts student were joint winners of the UK Art Prize 2004, that attracted over 40,000 entries and created ten finalists. They shared […]
The Contemporary Art Society (CAS) supports the museum collection of contemporary art. Hugh Adams investigates the society’s aims and activities and offers advice on making an approach to CAS.
Neil Zakiewicz investigates the internet’s renowned promotional capabilities looking at the way a variety of artists are using their websites. For those who haven’t yet ventured into the virtual realm a twenty-minute strategy on where to start is offered.