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Annabel Tilley talks to Gary Hume about twenty-five years of practice, prizes and paint.

We picked a good time to catch up with Rosemary Marchant, right before her degree show in Brighton. After the install we then followed up with her plans for practice and research post-graduation… so here’s the before and the after!

Richard Taylor in conversation with Craig Hudson from University Campus Suffolk on the skills to learn, the ideas to express and how the human sculptural form embodies the materiality for both.

Graham Crowley is one of the most distinguished living painters in the UK today. As the deadline closes on entry to the John Moores 2010 competition, Kate Brundrett asked him for his views on the competition’s significance and for his ‘take’ on the state of contemporary art practice.

In the run up to the 2008 Zoo Art Fair, Jane Watt’s profile looks at the first four years of this non-profit enterprise.

The Contemporary Art Society (CAS) supports the museum collection of contemporary art. Hugh Adams investigates the society’s aims and activities and offers advice on making an approach to CAS.