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Carey Young provides a guide to engaging with businesses and in business contexts.

Gordon Dalton talks to Danny Rolph about creative process, gallery representation and residencies at Delfina and the British School at Rome.

Richard Cox profiles the Bemis Center for Contemporary Arts, USA, and discusses his involvement as both resident artist and selector.

Jane Watt profiles Grizedale Arts, its residency programme and focus on research and process-based work that encourages interaction with the physical and social environment.

Mark Leahy looks at Ivan Smith’s intentions for his Fellowship in Sculpture at University of Derby, funded by the Henry Moore Foundation, and its role in his career development.

Mark Leahy on Rona Lee’s fellowship at the Department of Drama and Theatre Studies at Royal Holloway University, London where she was in receipt of an AHRC Fellowship in Creative and Performing Arts.

Brigid Howarth takes an in-depth look at the career path of sculptor and new-media artist Ben Coode-Adams, who makes his living from public and private commissions.

Angharad Pearce Jones explores the sprawling career of Tessa Fitzjohn, providing an insight into her successful work/life balance.

Nils Norman’s practice uses digital illustrations and architectural modelmaking to propose redevelopments of urban sites. Chris Hammonds finds out about his ‘multi-front economy’ based practice.

Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.

Chris Hammonds looks into Scott Myles practice and discusses how he has worked on self-initiated projects, developed work through residencies, and benefitted from commercial representation.

Heather Rigg profiles Next Move, a national professional development scheme which aims to launch the careers of applied artists.

Since completing an MA in ceramics in 1998, I’ve worked with and in response to a diverse range of people, environments and themes.