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Clare Twomey
Penny Jones profiles Clare Twomey, who makes large-scale ceramic installations for galleries and museums often in collaboration with the UK ceramics industry.
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Collaborative relationships
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.
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Do it with others
This article by Furtherfield.org founders and Directors Ruth Catlow and Marc Garrett was originally published in Coding Cultures: A Handbook, commissioned by Francesca da Rimini and d/lux/MediaArts in 2007. Catlow and Garrett discuss the origin and mission of Furtherfield.org and how its participatory platforms are art production tools.
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Furtherfield.org
Charlotte Frost delves into the on and offline world of Furtherfield.org, where web surfers are encouraged and enabled to become co-producers in art making/situating via platforms such as VisitorsStudio and projects like DIWO (Do It With Others).
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Production lines
With reference to the production of inter-disciplinary visual arts, Charlotte Frost indicates the types of activities involved, art forms which respond well to this style of collaboration and some of the difficulties experienced by production agencies in working in this way.
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Paul Hamlyn Foundation
Manick Govinda’s profile of Paul Hamlyn Foundation, one of the most respected and innovative grant-giving trusts in the UK
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Artist-led activity
Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.
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Leaving its mark
The Collecting Live Art symposium that launched independent curatorial initiative Collecting Live Art addressed key issues surrounding the collection, sustainability and legacy of live art.
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Awards by nomination
Manick Govinda on the often secretive processes behind awards by nomination as well as the benefits for artists in terms of recognition and critical acclaim.
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Jerwood Charitable Foundation
Nina Madden explores the myriad of awards offered by the Jerwood Charitable Foundation.
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Art work in 2007
Text-only version of a-n Research paper: Art work in 2007 with live weblinks.
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Introduction
Prizes by competition
Nina Madden gives an overview of some of the visual art prizes selected from open submission competitions.
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Persuasive applications
Are you thinking of applying for a grant or award? Over £2.3m was openly offered in these categories through a-n’s Jobs and opportunities last year. As it’s a highly competitive activity, we’ve compiled this guide to making applications, including some ‘top tips’ from a range of experienced artists, curators, and arts professionals…
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Prizes and awards
The UK boasts literally hundreds of visual arts competitions annually. Here, we look at some of the most significant opens and prizes on offer this year.
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The essence of performance
The focus generated this month by ‘Vital 07’ is the catalyst for exposing of some of the UK’s key promoters of live art today.
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R O O M
S Mark Gubb profiles R O O M and learns about its journey from artist-led venue in Bristol to a commercial space in London.
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Trade off: Markets for art in the UK
Emilia Telese’s opening essay offers analysis of the markets for art in the UK highlighting the ‘contradictions and idiosyncrasies’ of the relationship between artists and money,
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Shaheen Merali
Yvette Mutumba on Shaheen Merali – artist, curator, researcher, writer, observer and globetrotter.
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Films for radio
Film London and BBC Radio 4 are collaborating on The City Speaks, a project bringing together twelve of the capital’s artist film-makers and writers to create a series of films for radio.
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Artists’ initiatives in action
It’s the drive and imagination of artists that is leading major exposures on contemporary visual arts in Leeds and Stroud in May and June that both focus on location.
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Grace Ndiritu
Sara Raza on Grace Ndiritu, a young London based artist who is enjoying an upwards ascent with an impressive portfolio of national and international exhibitions, that present a fresh style of politics and performativity.
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Art, Education, Activism
“The process of social change is in desperate need of creativity and imagination, and the aesthetic process in urgent need of social engagement”
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Leading through practice: Calling the meeting
“Spirit in community will die unless there’s someone calling the meeting.”
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Leading through practice: Framing the discussion
Artist as Leader is a programme that aims to understand the ways artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture.
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Playing up
Gillian Nicol explores the nature of collaborative and creative processes involved in making artwork in the public realm.
