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Samuel Dowd and Hayley Skipper of SpRoUt respond to Import/Export.

Extracts from the Curated space online think-tank presentations and discussions.

Now available online at www.a-n.co.uk, Compass is a tool for professional practice teaching in FE and HE institutions.

Brief extracts from the Social space presentations and discussions, to introduce the issues and broaden participation.

Adam Sutherland’s contribution to ten two zero zero five, a-n Collections.

S Mark Gubb takes a look back at the first year of the NAN bursary scheme and the artists groups it has supported, exploring the advantages of knowing that “you are not alone”.

Improving local networking was one of the main conclusions of Close proximity. Artist David Thomas offers his views.

Miranda Whall and Graham Dolphin discuss programming and participating in a research trip to Berlin.

This spring, as part of the Africa 05 arts festival, a number of artists from around the African continent are in London making new work for various cultural institutions. Paul Glinkowski introduces the work of five of them.

Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.

Chris Brown of g39 and Louise Short of Station, devisors of Quo Vadis, reflect on the motives, intentions and themes of the event.

Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.

Gordon Dalton reports on the Curating Now symposium at the Irish Museum of Modern Art hoping to find the future of curating in museums.

Devised by Grizedale Arts, ‘Romantic Detachment’ features artists from the UK and the USA. Brian Dewan’s text forms part of his performance/installation for the exhibition.

Studio-based artists have been made vulnerable by the recent property boom as run-down former industrial buildings attract developers with an eye for a lucrative conversion. Some studio providers though, have managed to stay put and in some cases have moved on to better premises. Paul Glinkowski offers this progress report on artist-led studios projects in Leeds and in Stroud.

International fairs are a great opportunity for researching galleries and making contacts, here is a selection of just some of the 150 showing at this year’s Frieze Art Fair.

Paul Stone examines some of the issues arising from the a-n event in June.

Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk

Los Angeles-based curator Julie Deamer talks to artist Chris Johanson and the gallerist Jack Hanley about their mutual admiration for each other.

Edith-Marie Pasquier talks to inIVA Director Gilane Tawadros and artist Alia Syed about their experience of working together.

Jane Watt discusses contemporary approaches to the creation of public monuments.

Julie Brook gives a personal account of her involvement in the Comhla International Artists Workshop in North Uist.

Henna Asikainen reports from the Fifth International Conference on Environmental Aesthetics.