Charting a course
The first in a six-part series ‘Navigating places’, Jane Watt profiles the River Commissions project, a series of temporary works along the River Hull corridor.
The first in a six-part series ‘Navigating places’, Jane Watt profiles the River Commissions project, a series of temporary works along the River Hull corridor.
Devolution in the UK has hit this year’s Venice Biennale, with England, Scotland and Wales each having an independent presence there. This year, the British Pavilion will be showing the work of Chris Ofili; Scotland will be represented by Jim […]
Sarah Bodman explores a selection of recent limited edition works that show a fluid crossover between artists’ books and multiples.
In 2001 Zarina Bhimji wrote in [a-n] MAGAZINE about preparing to make her first film. Out of Blue, created for and premiered at Documenta 11, is currently being shown at Tate Britain. Here, Manick Govinda describes how a series of timely awards gave Bhimji the freedom to develop new work.
Artist-run Temple Arts Group (TAG) is based in Bethnal Green, east London. The six members James Dean, Samantha Denny, Helena Koumbouzis, Rebecca Odgers, Kate Williams and myself are all practising artists from a variety of disciplines including sculpture, […]
A partnership between Staffordshire County Council Arts Service and the Library Service resulted in the launch in February of a new state of the art mobile library with artist-designed exteriors. As a result of an open submission from West Midlands […]
ART SHEFFIELD 03 is the first citywide contemporary art event of its scale to take place in Sheffield. Running 29 March 19 April, it will comprise a dazzling array of contemporary art events at the city’s major galleries and […]
Illustrating the approach she brings to her new role at [a-n], Gillian Nicol highlights some of the challenges and opportunities for artists and their practice today, looking broadly at education and employment, status and lifestyle and the impact of widening access to technology.
Located in a ‘cultural industries’ area ourselves for the past three years, we can confirm that the advantages – creative networking and exchange, vibrant working environment, immediate access to like-minded cultural specialists, mutual support in development, etc – are there […]
A new commission from Julian Opie has launched redevelopment of the West Wing at Barts as a national Breast Care Centre of Excellence. Architects Greenhill Jenner’s proposal will create a contemporary, state-of-the-art medical facility with strong ‘patient appeal’ whilst celebrating […]
Penelope Curtis explores how ‘installation art’ has affected our readings of art, artists and curators.
A gallery run by children is amongst recent recipients of a Scottish Arts Council lottery grant. Room 13, a group of primary school children who run an art studio and gallery at Caol Primary School near Fort William, was awarded […]
Networked Bodies is an ongoing research and development project for New Work Network. Through examination of alternative models of funding and commissioning, the aim is to establish a radical new model for commissioning live work. It is envisaged that this […]
Ten years ago: The TWSA project which intended to create a new perception of possibilities for public art in four cities included work by Mona Hatoum. Vong Phaophanit, Richard Deacon, and Donald Rodney; The Spectator Painting Competition offered a £2,000 […]
Brigid Howarth investigates the multifaceted business of buying and selling in the corporate art market.
The Culture Company, an independent commissioning agency based in Huddersfield, aims to promote surprising and creative interventions in everyday places. Their remit combines the programming of events as diverse as exhibitions, festivals, conferences and commissions, working with both public and […]
David Jeffreys looks at the issue of arts funding and considers whether there’s a catch to the expansion of public spending.
Drifting south west to Cornwall, Alan Bleakley describes PALP, an artist-led group committed to experimental, collaborative and socially inclusive projects.
Last February Jennifer Vickers completed a two-year residency at Manchester Metropolitan University as part of North West Arts Board’s Setting up Scheme. “During the early stages of this placement I struggled to make any kind of profit from my practice, […]
A high percentage of Jennie Moncur’s work is commissioned. Since 1986, alongside undertaking a range of private commissions, she has built up a portfolio of public works including thirty tapestries; painted fabrics and rugs for Jardine Insurance Brokers; laser-cut linoleum […]
Valerie Coffin Price reports from Est-Nord-Est, an artist-led centre in Quebec, Canada.
In January 2002 Adrain Hart won Artsway’s ‘Animal’ open exhibition. His prize was a solo show to be held at Artsway that following June. He says: “Using lens-based media and elements of live art I continued my research into notions […]
In the first of a six-part series ‘Inhabited spaces’, Alice Angus presents artists’ perspectives on language and its relationship to place.
Louise Clements and Jonathan Willett describe Spectrum 2002, a light-infused programme of exhibitions and outreach work at Nottingham’s artist-run Lightsource.
This year’s Big Draw, running 16-23 October, brings together one thousand venues of all types and sizes. Included are the major national museums, shopping centres, stately homes, Roman palaces, folk museums, steam pumping stations, church halls, gardens, stations and even […]