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Tim Birch samples some of the websites selling art online.

Paulette Terry Brien reports from Ex-Teresa Arte Actual in Mexico City.

Brendan Fletcher takes a look at how artist-led initiatives, and the Manchester galleries’ willingness to listen have helped shape the current changes in the Manchester art scene.

With a long history of working with artists, Habitat’s art programme provides the opportunity of prime viewing space that acts as a springboard for young artists.

The Sculptors’ Society of Ireland The Sculptors’ Society of Ireland (SSI) was established in 1980 to improve the professional standing of sculptors, raise the profile of sculpture and to develop the quality and scope of commissioning procedures and opportunities in […]

Angharad Pearce Jones, an artist currently working with Cywaith Cymru.Artworks Wales explains how the organisation works to promote art in the public realm.

Gordon Dalton visits ‘Highlife’, an exhibition of artist-designed bird boxes commissioned by Bristol City Council, working with lead artists FAT, as part of Bristol Legible City.

Sue Jones, co-director and curator for e-2 explains the organisation’s remit to raise the profile and understanding of digital arts.

Moira Jeffrey attended ‘At the City’s Edge’ in Glasgow, a conference that amongst other things addressed ‘what artists are questioning and why’. Here, she feeds back on the projects discussed and the main debates that arose.

A new artist-initiated event took place across Hull during September. Here, David Briers explores how the event fits into the city’s existing arts infrastructure and discusses some of the national and European links it generated.

Roxane Permar considers a selection of the projects discussed at a recent conference, exploring what they tell us about current trends in public art commissioning.

Louise Coysh visited ‘Fresh Art’ at the Business Design Centre, London to find out how the fair met with the exhibiting artists’ expectations.

There is a long history of placing contemporary art in remote and rural locations as a method of encouraging tourism. The sculpture trail is now an established form of presentation. Here, Victoria Bernie – an artist based in Edinburgh – describes her participation in a small-scale project in Sweden and Public Art Officer Piers Masterson gives his view on the history and public reception of a much larger project spread across northern Norway.

Lizzie Muller and Andy Roshay of the Digital Arts Network describe how the network addresses the need for regional collaboration in digital arts development.

Directors and committee members of The Landscape and Art Network expand on the cross-disciplinary nature of the organisation and its remit to defend and improve our environment.