You searched for writer development programme - Page 2 of 2 - a-n The Artists Information Company

A small collective workspace in a converted barn in rural Lancashire.

Art Gene combines a residency programme with links with education and plays an active part in local regeneration.

Out of the Blue has thrived through establishing a diversity of activities and income streams.

Nottingham Studios Consortium is an example of the ‘strength in numbers’ approach in making the case for studio provision.

Gasworks is part of an international network of independent studios around the globe.

Temporary studios can be a useful option for creating project-specific work.

DAW adapted a successful model of an open studios event for a rural location.

CRATE successfully accessed economic development and regeneration funds to buy a building.

How education work has contributed to this studio’s success.

Paul Glinkowski talks to Mark Beasley at the start of his Fellowship at Kingston University.

Jane Watt talks to Dalziel + Scullion about their collaborative practice, unusual studio set up and processes involved in their commission for Royal Aberdeen Children’s Hospital.

More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.

East Street Arts (ESA) is a model example of what the purchase and refit of studios involves.

In summer 2003 I took part in Excavate Overlay, a multi-disciplinary project involving artists, a writer/ anthropologist, archaeologists and members of a rural community in Caithness, Scotland.

Jane Watt profiles Grizedale Arts, its residency programme and focus on research and process-based work that encourages interaction with the physical and social environment.

Richard Cox profiles the Bemis Center for Contemporary Arts, USA, and discusses his involvement as both resident artist and selector.

Mark Leahy on Rona Lee’s fellowship at the Department of Drama and Theatre Studies at Royal Holloway University, London where she was in receipt of an AHRC Fellowship in Creative and Performing Arts.

Sorcha Dallas profiles Transmission, the Glasgow-based artist-run gallery, that was established in 1983 by graduates of Glasgow School of Art.

Angharad Pearce Jones explores the sprawling career of Tessa Fitzjohn, providing an insight into her successful work/life balance.

Rebecca Farley profiles the Starter studios programme and looks at how six of the scheme’s previous artists were able to develop their careers.

The Contemporary Art Society (CAS) supports the museum collection of contemporary art. Hugh Adams investigates the society’s aims and activities and offers advice on making an approach to CAS.

Lucy Wilson explores the development and expansion of Hidden Art, an initiative set-up by Dieneke Ferguson to promote the work of designer-makers in Hackney.

Curator and writer Michael Stanley talks to Jo Lansley and Helen Bendon about their career development.