Artist Rooms: Jenny Holzer, Tate Modern, London, 2018, supported by Art Fund © 2018 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Janie Airey
Jane Rolo with Freedom Kangas by Lubaina Himid, in Beyond Words at The Wilberforce Institute, Freedom Festival Hull, 2017
Proposed North Façade entrance and forecourt. Jamie Fobert Architects / image by Forbes Massie Studio.
Hannah Parikh, UKYA City Takeover.
Bouchra Khalili, Twenty-Two Hours (2018). Installation view. Photo: Polly Thomas; Courtesy: the artist
Bouchra Khalili, Twenty-Two Hours (2018). Installation view. Photo: Polly Thomas; Courtesy: the artist
Bouchra Khalili, Foreign-Office, Digital film, 2015. Courtesy: the artist and Artes Mundi
Bouchra Khalili. The Tempest Society. Digital film, 2017. Courtesy: the artist and Artes Mundi
Bouchra Khalili in New York, NY. Photo: Dustin Aksland
People's Vote March, 23 June 2018. Courtesy: Wikimedia Commons (https://commons.wikimedia.org/wiki/File:People%27s_vote_on_Brexit_march,_London,_June_23,_2018_22.jpg#file); CC-BY-SA-4.0
Kimathi Donkor, winner of the De’Longhi Art Projects Artist Award at the London Art Fair. Courtesy: London Art Fair
Kimathi Donkor, Notebook p34. Courtesy: Ed Cross Fine Art.
Georg Oskar - High and dry - 165x125cm
2019 New Contemporaries selectors (l-r) Rana Begum, Sonia Boyce and Ben Rivers
Joanna Robson, ’Vasilisa and the Witch's Fire', 2018. Lasercut concertina booklet 13.8 x 45 cm (unfolded) with accompanying dustjacket, 14.5 x 14.5 cm, unlimited open edition. Photo: Joanna Robson
A Plume catalogue 2017/2018: ‘using the wrong thing to make the sound’ by Rebecca Wilcox; ‘The Future is a Carrot’ on a Stick by Judith Hagan; ‘A Plume Annual Volume One’; ‘Please Touch’ by Giuseppe Mistretta; ‘Very Considerate’ by Edwin Stevens. Available through Museums Press / Good Press Gallery. Photograph: Good Press
