Artists Stories - Page 4 of 8 - a-n The Artists Information Company

Awakenings #4
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Michelle Lord

Dark and claustrophobic, suffocating like it was no bigger than a box; upon opening its door her bedroom feels as tiny as a room in a dolls house.

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Handwoven lampshade
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Sam Atkins

Whilst sitting in my parent’s garden in the summer of 1996, I became mesmerised by the patterns created on the table by the light filtering through my father’s pint jug of beer.

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It'sarealdeadringerforlove
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Gillian Wylde

Working with live performance, video, text and object, my practice is an investigation of liveness, mediation, desire and duration.

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Development of colour and form 1
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Angela Carter-Rhodes

When I learnt I had a place on a residency at Phoenix Gallery, during the Brighton festival I was delighted.

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Untitled (Black Cloud/Bedroom)
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Jason E Bowman

In the late seventies my parents took me to see Concorde at a local airshow, which I missed because I didn’t manage to look up in response to the supersonic audio.

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Tilt Trucks 24
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Ian Dawson

Lewis Carroll’s Alice books have been a source of inspiration since my first experience of them as a child.

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Aerial
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Damien Robinson

When I moved to the Essex coast from London in 1999, I began experimenting with digital techniques while I was refurbishing my studio.

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still life
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Franko B

Since I left art school in 1990, I have been creating work across art forms and for exhibitions.

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Eurhythymy
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Andrew Cooper

Following graduation from the Royal College of Art, I undertook many major public commissions for clients including British Rail, British Gas and Unilever.

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strike-a-light
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George Bigden

Fairly fresh out of college I received a bursary through the Crafts Council’s Next Move scheme.

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From the series Serving Suggestions #39
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Sian Bonnell

At college I made sculpture and used photography to record what I was making.

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Dining table
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Sarah Kay

Three years ago I found myself following my partner to Zanzibar, East Africa.

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Land is Shared
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Chad McCail

Jeremy Akerman meets Chad McCail to discuss his work and recent residency at Baltic that culminated in a futuristic world of zombies, robots and wealthy parasites.

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Peek-a-Jobby
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Graham Fagen

Lee Corner interviews Graham Fagen about his commission in Kosovo for the Imperial War Museum.

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Hedgehog Erinaceus europaeus
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Martin Prothero

I work directly with wildlife and environments that surround me; my work comes from a place, rather than being about a place.

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Fields
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Binita Walia

I make site- and project-specific architectural glass that I prefer to create through close collaboration with architectural design teams and the community.

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And Then
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Maria Wilson

Maria Wilson shares her experience of working at Maesgwyn Special School as part of Opt for Art, a project funded by the Arts Council of Wales.

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Untitled
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Annabel Dover

“We may think we are going to [objects] for knowledge about the past, but it is the knowledge we bring to them that makes them historically significant, transforming a more or less chance residue into a precious icon.” Raphael Samuel, Theatres of Memory

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San Francisco
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Richard Wentworth

From his favourite café on the busy ‘Cally’ Road, London, Richard Wentworth takes Stéphanie Delcroix safely on his journey to the other side of the street.

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Ghost
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Greg Palmer

In 1999 after living in London for twelve years my family and I moved to Portsmouth.

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Fountain
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Bernd Behr

The project I am currently working on is filmed in one of the BBC’s open-plan offices, an indirect result of the exposure involved in participating in ‘Beck’s Futures’ this year.

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sciis [sensitive cumulative intellegent immersive systems]
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Michael Atavar

Michael Atavar talks about the ups and downs of his experience as artist-in-residence at The Guardian.

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