At the recent symposium, ‘Art is not a Commodity: Examining Economic Exceptionalism in Art’, Rosalie Schweiker argued that artists need to “stop faking orgasms” and instead start clearly vocalising their dissatisfaction with the art world. Here, we publish an edited version of her presentation.
Institutional Critique - a-n The Artists Information Company
The relationship between vitrines and institutional critique has inspired my latest collaborative project, ‘The Imaginary Museum’, a direct reference to the Andre Malraux publication ‘Museum without Walls’ (discussed in week 60). Under the auspices of the Artist Book Collective, I […]