Henri 100 years ago – is the pre-project project made for Llantarnam Grange Arts Centre in Cwmbran South Wales – it will lead on to an Arts Council of Wales funded research project at National Museum of Wales Cardiff in 2015
On Self-Portraiture, a collaboration between Brook Hobbins, a sculptor and myself.
A blog collecting inspiration, thoughts, ideas and more; particularly cross-disciplinary practice, material agency and new materialisms
Richard Taylor shares a Google document with Faye Green, a 2012 Fine Art graduate from Nottingham Trent University, who’s not afraid to pull apart her work to produce sculpture anew.
This installation was developed towards the end of my Undergraduate degree show in 2012. I used the platonic solid of a Dodecahedron as a reoccurring motif in many of my short stories. It represented the contradictions in science between the […]
Flora Parrott, Pressure In/Pressure Out (detail), hand-beaten copper and honey, 60x60cm, 2009.
Lilah Fowler, tube, dimensions variable, aluminium, 2011. Courtesy of the artist and Bold Tendencies.
Poppy Sebire, London
2 September – 1 October
James Rigler, Chatsworth Table, ceramic, marble, wood, steel, gold leaf, rope, 2011. Courtesy: Chatsworth House
Arron Kuiper, Box 8, oil paint, aquagel, glass vitrine, 2011.
Ben Washington, We’re Being Kept Informed As The Situation Unfolds.
Chantal Powell, Siren, bird cage, metallic.
Sogol Mabadi, Belt (Unbelt), performance, 2010.
Simon Morse, Little Bastards, dial, LED, switch, vinyl, acrylic and transfers on aluminium unit, 26x16x9cm, 2009.
Kerry Jameson, Conflict.
Glasgow’s museums, galleries, streets, bridges and hidden spaces will showcase the work of national and international artists when Glasgow International Festival of Visual Art returns in April 2010, building on the success of the 2008 Festival.
Haroon Mirza, Adhãn (detail), 2009. Courtesy of Lisson Gallery.
Profiling studios and facilities around the UK.
It’s Hard To Make a Stand by Steve Bishop
Michael Shaw discusses his recent residency at Davy Markham engineering in Sheffield, and works that have resulted from his use of computer aided design and rapid prototyping within his sculptural practice.
Profiling studios and facilities around the UK.
Jessica Lloyd-Jones, Pulse, blown glass, neon gas, electricity, 16x12x10cm, 2008.
Heather and Ivan Morison discuss their work I am sorry. Goodbye. as featured on the cover of this month’s a-n Magazine.
Edinburgh Sculpture Workshop, Creative ambition 2 and ixia.
We are self-employed sculptors with wide experience making artworks for the public realm.
