A space for the research and progress of creating purely language based video, for my existing text ‘Home is now’ – part of my placement on the London Creative Network (LCN) via SPACE. I will also record my development during the LCN programme
‘The Immaculate Dream is an exhibition of fantastical landscapes and constructed spaces, dark fairy-tales and silent stage settings. Works by nineteen artists invite us to explore a looking glass world in which pasts are reimagined and futures projected […]
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Today was cleaning day. I spent the afternoon tidying and rearranging my studio space. It involved some tedious sorting through bits and pieces, throwing out empty paint tubes, acrylics that had gone hard, dead pens and so forth. I’d like […]
What is it in art that inspires you? Have you seen or experienced something recently that has made you want to run back to your studio or kitchen table to start making? I’ve been feeling a bit flat lately and […]
In 2017, Wysing Arts Centre restructured its residency programme to be more responsive to artists’ situations and to support a more diverse pool of practices. Drawing on a conversation that took place between Wysing’s director Donna Lynas and resident artist Tessa Norton at the ‘Pivotal Moments’ conference, Lydia Ashman explores how and why the programme has changed.
Visual Arts in Rural Communities hosts residencies in the remote hill-farming area of Tarset in Northumberland. In August 2018, the organisation piloted its first residency for a disabled artist. Lydia Ashman speaks to Project Director Janet Ross and artist, curator and disability advocate Aidan Moesby about the development of the pilot and its impact on the organisation’s programme.
Based in Wakefield, visual arts development agency The Art House continually explores ways to work with artists who face barriers to their practice. Its residency programme supports artists at different stages of their career and is shaped around individuals’ needs. Lydia Ashman speaks to Programme Producer Simon Boase and artist Rosanne Robertson about the tailored support the organisation provides to artists.
The Mothership is an independent residency programme run by artist Anna Best from a purpose built studio nestled in Dorset woodland. Lydia Ashman speaks to Best and former resident artist Dominque Golden about how the flexibility of The Mothership is particularly supportive of artists with families.
Last time I wrote I was going back and forth deciding how I should approach the 2 large blank canvases that were resting against the wall in my studio. I finally decided I was going to approach one by using […]
At the conference ‘Pivotal Moments: Professional Development Models for Mid-Career Artists’, staged by London Creative Network (LCN) in association with a-n, participants including artists Keith Piper and Erica Scourti, and Wysing director Donna Lynas discussed career development and the importance of institutional support for artists. Lydia Ashman reports.
Dividing up the space Why as artists do we do what in our art? Is there always a clear answer? How much of what we do is planned and delivered according to plan and how much is instinctive or happy […]
A blog by artist Julie Hill, a recipient of an a-n Professional Development Bursary 2018 to undertake a course in 3d printing at The Cass. Julie is working with 3d files of asteroids (or minor planets) from NASA’s 3d Resources.
Coastal walks remembered in this new painting entitled Black Sea.
The works during this residency have developed into a ‘series’ based on Corris and has therefore become a site-specific development of a new body of work. I’ve began to investigate spatial relationships between the organic and industry; using casting processes […]
After a recent visit to Berlin, I had the opportunity to see works by Joseph Beuys Das Kapital Raum 1970 – 1977 at the Hamburger Bahnhof – Museum fur Gegenwart including his film and performance works as video documentation and […]
This first week has involved taking some time to engage and explore Corris, taking walks along the mountains, fields and through this quaint village. The large quantities of slate slabs of walls and fences, and slate pieces abandoned outside houses, the […]
I’ll be spending three weeks as artist in residence in the Attic Studio at Stiwdio Maelor in Corris, North Wales. Having spent the last few months isolated from my practice this residency is an opportunity to research, engage and focus […]
Artist in Residence in the attic studio at Stiwdio Maelor. This blog will support my residency research, documentation and process of making.
It’s 3am and can’t sleep. Mind buzzing with ideas so got up to draw in case I forget on waking. Suddenly after nearly 3 years everything’s starting to make perfect sense. So much to do in just 4 weeks – […]
I was just re-reading my blog entry and looking at those images which I’ve been thinking about printing. I suddenly realised what has been the subliminal influence underpinning the way I want to make those images look. Here again is one […]
Trying to focus my work into a sensible, acceptable, believable, academic Research Question on which to hang my current art practice, is an ongoing and largely frustrating task. I’ve dithered about with Landscape, Sense of Place, Time, space and movement, […]
My my, we are well into February aren’t we. Art-wise what have I got to show for it? It certainly has been a patchy month. Having received 2 bits of news, (one bad and one sad), I have to confess […]
During the course of the last couple of weeks its been apparent that my work has become focused on the body as a subject and medium. The space felt fleshy and I began thinking about bodily fluids and what the […]
As part of Cardiff Contemporary this year me and Natalie Ramus were asked by CSAD to participate in ‘Cardiff’s Contemporaries’ where current and past students are exhibiting work at Morgan’s Arcade. On Saturday RAMUS|EVANS Collaborative which was formed in September […]