Slowly getting back to normal routine this week thankfully.
Last Friday I went along to the launch of Escalator held at the Wysing Arts Centre. Provided with name badge on arrival the day began with a ‘mingle’ and then we were seated in lecture style. (I got quite excited about being in this formal position of receiving information that I haven’t been in for such a while). I felt very student-like.
The overall focus of the presentation was to debate what do artists do? And what do artists want?- in order to explore how best to run the escalator project. With a room full of mainly artists and some curators from across the region, there were plenty of different opinions flying around. By the time we had been stimulated and loosened up by a controversial project by the artist Phyllida Barlow and involved in an interactive performance by artists Charlotte Thrane and Maria Zahle, we were left with lots of ideas to discuss over our lunch. Practically we seemed to all need the obvious things but more broadly speaking the issues where much more of a debate. I felt that as the day went on it became really apparent to me that the whole experience of ‘being there’ debating and discussing in this manner is exactly what most of us want. We all want time and space, money to produce, support and advice but this discussion process and link to peers, feels so important. Phyllida threw in a red rag and it was fresh and unusual and got our cogs turning. It is very important for an artist to feel they have a presence within these wider debates and to see their own concerns in relation to others. I feel it allowed me to gain a bit of perspective on my own situation and really consider these questions.
One thing that came up that I did find intriguing was this focus on location. All being from the East, some artists felt their location to be a significant factor in their identity as an artist. Suddenly I was being called a regional artist but I don’t know what this means to me. I don’t think I’ve given it much thought before. London reared itself up in conversations like a big monster; a vacuum that drew everything into it and threatened the identity of ‘regional’ artists, even it was suggested looked down on us. Really? Must we get defensive about our location? Do we have to defend ourselves and our identities against the hip and trendy of London? I have never felt living in the East defines me as an artist. It has been helpful living so close to London but I don’t feel that I must go there to be taken seriously or alternatively that I should reject it, just being an artist is enough definition for me. It did get me thinking about these issues of place though.
