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Though I have missed you so very much

I am standing outside Hull Paragon Station, holding a sign in my hands. Slowly people gravitate towards me. A gentleman in a straw hat walks up to me, and not looking at my face, says haltingly ‘Though… I have missed you… so very much’.

This is how it begins, a walking tour of Hull, animated by fragments of lives played out in these streets at the turn of the 20th century. A group of sixteen has gathered for the tour, and luckily a woman in a floral dress hears the phone box next to us ringing quietly, a summons from Katy to come and meet her on platform 4, the original “emigrants platform”.

For two hours we explore Hull, asking each of the walkers to carry an envelope, which is addressed to a particular location. At these locations, they open the envelopes and discover one of Edith’s postcards, a photograph or artefact relating to that site. Katy and I weave together the stories of our family and these places, in the context of the 2.2 million emigrants who passed through Hull from the 1850s – 1910s.

As the walk meanders through the city centre and down to the docks, we become increasingly involved in the tales of Edith’s and her best friend Dolly’s lives, and separation through migration. We encounter ships, waiting rooms, concert halls, a music box, a lost locket, lost gardens, a drowned synagogue and a forgotten brother.

There’s a profound sadness that emerges from tracing vanished lives in a contemporary landscape. But there is also a humour as secrets are revealed and interpretations of the missing facts are offered. Most of the people who join us for the tour are of our parents generation, or older, and the readings we include about memory and forgetting seem to resonate strongly for them. We end the tour at the docks, looking out at the murky Humber and the wide open sky. I pour everyone a shot of vodka, and as we raise our glasses to ‘all those who have passed’ Katy reads us a quote from Sebald:

‘Memory, he added in a postscript, often strikes me as a kind of dumbness. It makes one’s head heavy and a giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds.’ The Emigrants, W G Sebald.

Though I have missed you so very much was part of Humber Mouth: the Hull Literature festival


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