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Interviewing myself- analysing my own work

Is your work coming together?

Yes I feel like my work has really developed over the past few months, contextually as well as physically. This is because I have begun to unravel my thoughts and the emotional relationship that I have with the landscape. This has been through walking and connection to the landscape as an artist.

Do you think that controlling your work on a smaller scale had helped this progression?

Initially I did not set out to create small pieces of work. I simply wanted to experiment with different techniques in my sketch book. I found myself really becoming attached to adding layering, texture and detail into the works. It now has become an obsession where I am looking at the different ways I can build up the presence of the landscape, starting with a mixed media approach.

You have gone on to create larger scale works with the same techniques and styles. Do you think this is working as well as the smaller ones?

A lot of the larger ones are unfinished and although they currently lack expression which the small ones ooze, I see potential within them. I am currently still trying to find ways to create similar effect onto the different types of material such as wood and canvas. The more I work on the small ones; more ideas come forth to be used on the larger scale.

Is there a prominence of the pathway in your work?

Without realising it to begin with, many of my pictures depicted the pathway that is seen in many of my works and images. I think it is expressing the interesting demand of the landscape that I am inspired by on my walk. It is the dominance within the landscape I walked through. It led me from begging in to end, aiding my photographs subject. The pathway was a journey itself.

Do you think you will repeat the walk more?

Yes I think it will be really interesting to either repeat the walk at the same time every day and see how the weather affects it, or take the same lap of the park every hour of the day and watch the light and shaddocks change. This is something that I plan to do.

Are you going to do any drawings or work in the landscape?

Yes I also would like to go to the park with my sketch book and paints and just paint from the flesh, from the feeling of the moment. This will almost definitely create a different effect from working from a photograph.

What do you think your work is currently portraying?

My work predominantly is gathered from the walk I take and the feelings that I perceive whilst walking. I take a picture when I feel that a connection is formed and when I feel something interesting in front of me. The walk is something that I want to increase as well as look at other routes and repeating them and I think this will lead me to look more at light and shadow within the landscape. I do feel as if my work is formed with the presence of the environment.

How do you see your degree show progressing? What’s your vision?

My plans of the walking side are stated above. I do think increasing the amount I walk and what I take in will have a profound effect on my work. I see my degree show consisting of 2 large scale mixed media works, supported by a wall of small scale intricate detailed works, expressing the landscape in my own way. This may change, however at the moment this is the direction my work is heading.


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At the Moment : Progress

Over the Last few days in the Studio I have been looking at backgrounds and different effects on paper and started to recognise them together to begin making collage works.

•Mark Making techniques include:

•Merging the paint colours together

•Working with a sponge to create effect

•Scraping paint with cardboard

•Using the paintbrush to blend colours together

Some of these techniques have also been used collectively


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Peter Doig

Peter Doig’s landscape paintings project the suggestive realism and fantasy from beginning to end. Doig sets out, like many artists to tell a story or suggest things. His work became an interest of mine as soon as I began to look deeper into the landscape subject. His beautiful and mysterious paintings depict serenity and allow you to feel a state of peacefulness.

Things that I like about Doig’s work:

Colour

Bright

Technique- mark making

Reflection

Slight abstract presence in the movement of the paint rather that the composition

Magic

Many of the lists above are features that I love to try and attain in and throughout my practice. His work is simply beautiful and really eye catching. It also shows diversity in scenery which I find very different.

The mark making and brush strokes of Peter Doig’s create such depth and awareness. When using colour many of Doig’s work are either bright or blocky colour which in many ways I think works really well and in others he seems to strip back and focus on one colour which I also find fascinating. The balance between the two is what I love about his diversity and creativity as an artist.

White Creep- Image One

White creep is an image that I find particularly beautiful. I find it is simple and detailed at the same time whilst showing a silence and coldness through his depiction. His all colour palette also helps set this seen.

Words I feel describe this piece:

Clean

Fantasy

Simple

shadow

Concrete cabin- Image Two

Concrete cabin is another painting which has particularly taken my interest. It is almost as if he has painted two separate pictures and put the two together. The left hand side creates an abstract effect which is joined by what makes you think of an architectural sight. I find it very breath-taking how he manages to make the image work so well.

Words I feel describe this piece:

Lost

Hidden

Edgy

Depth

Light

All the words I list I feel are making me frequently look at these effects in my own paintings.

http://www.saatchigallery.com/artists/peter_doig.htm


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