Page 1683 – a-n The Artists Information Company

Stringed Figure
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Stringed Figure

Henry Moore, 'Stringed Figure', Bronze and string, 1938. Courtesy: The Henry Moore Foundation and Arts Council Collection, Southbank Centre, London.
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Curtains (detail)
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Curtains (detail)

Jane O'Sullivan, 'Curtains (detail)', Net curtain and printed images, 2012.
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Blog Post

Untitled blog post from "Project Me"

It’s 8.39 on a bright sunny morning and I am at the studio, if only I’d been able to buy some milk on the way here it would be perfect. I am delighted that I have been able to ‘fix’ […]

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Blog Post

Untitled blog post from "Westgate Studio"

For the January 2012 Wakefield Artwalk, #tweetart took over studio A6 at Westgate Studios. Contributors: @peepart @duncan_lister @alicebradshaw @Corr_ @effmilner @Almighty_faye @albanart @emmagraney @anna_milner Send us some #tweetart for the March 2012 Wakefield Artwalk! More about #tweetart and submission details: […]

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Blog Post

Untitled blog post from "University of Brighton"

Last week I went to two very contrasting spaces both designed to show artistic works. The New White Cube gallery in Bermondsey is a commercial space designed specifically to showcase the work that is exhibited there. The Sir John Soane […]

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Blog Post

Untitled blog post from "University of Brighton"

I’ve done so much research recently; it’s been really interesting and quite fun. But it has meant that I have changed direction with my work. Although here is the problem, I haven’t made any work relating to my research or […]

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Blog Post

Untitled blog post from "Artist’s notes"

Made an exhausted return from SOTA12 http://www.artscouncil.org.uk/jobs-and-conferences… yesterday, which I attended as one of the 50 artists given a bursary by ACE to be there. Apparently our presence gave the conference a different feel this year compared to last year, […]

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Blog Post

Untitled blog post from "PLAN FOR WORLD DOMINATION"

The main thing that I realised whilst doing Kinetica last week was the range of interpretations and assumptions that people put onto your work. I have difficulty in understanding this as I come from the stance that ‘if I know […]

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