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A Q&A with… Rachel Howard, abstract painter reflecting an unstable world

Rachel Howard’s paintings reference an unstable and violent world, drawing on political events and the devastation of war. With two current London exhibitions at Blain Southern and Newport Street Gallery, Fisun Güner talks to the artist about what inspires her work and how her early experience painting spots for Damien Hirst influenced her approach.

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A Q&A with… Dale Lewis, painter and Jerwood Fellow

Dale Lewis is one of three Jerwood Painting Fellows currently exhibiting work at Jerwood Space, London. He talks to Fisun Guner about working with mentor Dan Coombs, his mind-crushing experience as an artist’s assistant, and what inspires his open, chaotic and darkly humorous paintings.

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How artists see themselves: the art of the self-portrait

Turner Contemporary’s Self exhibition looks at artists’ self-portraits from the 17th century to the present day, exploring the changing way artists have seen themselves – and society has seen artists. Dany Louise reports from Margate.

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Schwitters’ Merz Barn: “We have an obligation to see through his vision”

Despite a major Kurt Schwitters’ show at Tate Britain last year, the future of the German artist’s Merz Barn in Cumbria remains uncertain. Ian Hunter of the Littoral Trust, which bought the dilapidated barn building in 2006, explains how things stand with the project and why the continued involvement of artists is key to its future.

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