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Import/Export: Speakers
Biographies of Import/Export speakers.
You searched for good practice - Page 12 of 16 - a-n The Artists Information Company
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Import/Export: Dynamos: Sustainable power-cells and creative support networks
Samuel Dowd and Hayley Skipper of SpRoUt respond to Import/Export.
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Future forecast: Curated space
Extracts from the Curated space online think-tank presentations and discussions.
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Compass: Directions for art and design graduates
Now available online at www.a-n.co.uk, Compass is a tool for professional practice teaching in FE and HE institutions.
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Future forecast: Social space
Brief extracts from the Social space presentations and discussions, to introduce the issues and broaden participation.
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I, Wannabe
Adam Sutherland’s contribution to ten two zero zero five, a-n Collections.
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Have NAN, will travel
S Mark Gubb takes a look back at the first year of the NAN bursary scheme and the artists groups it has supported, exploring the advantages of knowing that “you are not alone”.
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There’s gold in dem der hills
With Arts Council England’s Grants for the arts scheme back after a summer break, a-n engaged a team of experienced prospectors to share their top tips on making successful funding applications. Rosemary Shirley reports.
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Close proximity: The New Philanthropy?
Helen Sloan looks at changing opportunities for UK artists in the current cultural climate.
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Close proximity: Adrift in the South East
Improving local networking was one of the main conclusions of Close proximity. Artist David Thomas offers his views.
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Established breaks
I used to subscribe regularly to a-n many years ago and have just renewed my subscription online. In searching the site I have not been able to find anything collated (enlighten me please if I’m wrong!) specific for the more […]
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Coming soon
Look out in September for Good exhibition practice with contributions by Lee Corner and Paul Glinkowski. Subscribers automatically receive copies of each of our 25-year publications. a-n Magazine August 2005
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Approaching Berlin
Miranda Whall and Graham Dolphin discuss programming and participating in a research trip to Berlin.
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Lecturers resigned
I was fascinated to read your letters page in the July issue of a-n Magazine. Perhaps a new, refreshed debate should commence regarding the value and recompense for all forms of teaching the arts. I have always valued teaching not […]
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How big is yours?
Karen Watson reports on a national studios forum
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Volunteers
Cuts in funding at Further Education and Higher Education institutions have had a huge impact recently, particularly within arts departments nationwide, but only cursorily covered in the general press. The government directive to increase student numbers in spite of this […]
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Escalator Visual Arts
Eleven promising artists from the East of England will showcase work in London in July. Selected as part of Escalator Visual Arts initiative, the group represents a diversity of career stage, with two artists graduated within the last year, whilst […]
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International Opps
Thank you for many years of a-n magazine. I have enjoyed using it very much. Recently I came to the realisation, as I rang yet another competition for details, that I was really using it for the artists’ opportunities. Only […]
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Glittering prizes
A plethora of shortlists and prize-winners have recently been announced, making April a bonanza prize month.
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Re-mixing Africa
This spring, as part of the Africa 05 arts festival, a number of artists from around the African continent are in London making new work for various cultural institutions. Paul Glinkowski introduces the work of five of them.
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S1 Artspace
S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.
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Research calls
Finding the Common Threads is a two-year study being conducted by the Centre for Creative Communities with support from Arts Council England, London and Deutsche Bank. With London as its focus, the project is investigating some of the issues funders […]
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Tales of two cities: South Africa
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
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Quo vadis: Introduction
Chris Brown of g39 and Louise Short of Station, devisors of Quo Vadis, reflect on the motives, intentions and themes of the event.
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Quo Vadis: Surfing the bore
Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.
