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Failure is no longer not an option.
Christopher Thomas reconsiders risk and success in art and blogging.
You searched for good practice - Page 9 of 16 - a-n The Artists Information Company
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Money matters
A selection of articles and other content dealing with artists’ income:
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Stars and Monsters in the Infinite Archive
Eleonora Schinella considers the alternative perspectives on the art world through both the exhibitions reviewed, and the reviews themselves when researching Interface as an alternative archive.
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North Elevation
Artist Rona Smith, public art consultant Vivien Lovell and architect Soraya Khan discuss the development of Rona’s ambitious North Elevation work which was permanently installed at Lumen United Reform Church last year.
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Artist parents: speak up
“There is no more sombre enemy of good art than the pram in the hall” Cyril Connolly, Enemies of Promise, 1938
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Bites from the blogs
This month’s blog selection.
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Re: Art is not hardware
I think the issue with this government high street initiative is that it’s not part of a programme which attempts to actively deal with the underlying problems that have caused the recession in the first place.
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Temporary Art Space
Alice Bradshaw and Matthew Geraghty discuss Temporary Art Space’s six-month tenancy in the council-run Piece Hall in Halifax.
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RE. Letters in response to ‘Mobile Conference’ piece.
Let me start by offering my sincere apologies to Frances Williams for referring to her as both Frances and Sally in the text.
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Group process
Nick Slater and Kathrin Böhm relate the project by public works and myvillages.org, commissioned as part of Radar’s ‘Group Process’ programme.
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MA and Post-Graduate course index
Further details from a selection of this month’s MA and post-graduate course advertisers.
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What is community art 2?
It’s great to have critical writing by Sonya Dyer on the Mobile Conference in the May issue of a-n Magazine, but can I correct some inaccuracies in her coverage?
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A healthy outlook
Jane Watt reports on the Brighton symposium Is Design Good For You? considering the range of projects that artists undertake in healthcare environments.
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Keeping the mob at bay
John Holden on cultural elitism and expert professionalism.
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Time lapse
Brian McClave and Gavin Peacock recall how they joined forces within their artistic careers, and discuss their motives for collaborating.
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The Whitworth Social
Andrea Hawkins, Head of Public Engagement at Manchester’s Whitworth Art Gallery and artist Lucienne Cole talk about an innovative approach to publicly-engaged art.
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Group process
Group Process is the latest season of work to be staged by Radar, Loughborough University’s contemporary arts programme. Running into February; it involves new and adapted commissions produced by artists Lisa Cheung, Yvonne Droge Wendel, public works / myvillages.org, Parfyme and Yara El-Sherbini.
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Workspace round-up
Profiling studios and facilities around the UK.
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Debate – the short falls of the gallery experience in exhibiting process-based art
I was interested to read your letters from Chris Young in the October magazine and the later response from Jon Bowen in November.
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Artists Don’t Bite
Art at the Centre is an award scheme from Arts Council England, South East that seeks to involve artists from the outset of regeneration projects across the region. As part of this scheme, Maidstone Borough Council looked to develop an Artists’ Quarter in the heart of the town to promote the area’s wealth of creative talent. Here video-media artist Margherita Gramegna and consultants FrancisKnight talk about their involvement in this process and the resulting work, Artists Don’t Bite.
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Peer plaques
Artist-architect team Kevin Carter and civic Architects discuss their work with Louise Kirkup, Principal Planner of Burnley Borough Council, in the latest in our collaborative relationships series.
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Rural response
With half the UK’s population residing outwith urban conurbations, and regional and arts and cultural policies prioritising local engagement, locations often regarded as countrified are strategically raising their art world profile through imaginative programmes and project.
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Time and space
In a world increasingly skewed by notions of commodity and markets, artists and creative practitioners must be proactive in seeking out opportunities that enable them to experiment and take the risks that will drive up the quality of their work.
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The art is in the process
The problem of exhibiting the product when the art is in the process – Chris Young considers the shortfalls of the gallery experience in exhibiting process-based art.
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Research & development
Felicity Shilingford discusses collaboration and networking within her practice.
