From seafronts to stables
A selection of projects, residencies and exhibitions taking place outside the big cities this autumn.
A selection of projects, residencies and exhibitions taking place outside the big cities this autumn.
Online editor Richard Taylor interviews artists Maria Bojanowska, Sarah Rowles, Alice Ladenburg and Andrew Maclean about their approach to professional development in the early stages of a career in the arts.
There are two key things Nicholas Leverington mentions that I want to zone into.
Alex Murdin asks what is Localism and what effect it is likely to have on art practice in regional areas.
Highlights from this year’s degree show reviews.
A selection of post-graduate study routes on offer across the UK.
Where in Art Education does the education take place? Artist and educator Mitra Memarzia reports.
What will the future arts environment look like? In the second manifesto artist, writer, photographer and empty shops coordinator Dan Thompson responds to Visions of the Future with his thoughts on the future of the arts.
What do festivals add to a city?
Artists and arts organisations had the opportunity to debate current and future professional development needs and aspirations in June as part of strategic planning by Turning Point West Midlands.
A new report reveals that a disproportionate number of artists’ membership and development agencies and practice-based organisations lost core funding, despite ACE’s aim of creating a “balanced portfolio”.
Directed by artist, curator and writer Sonya Dyer, the Artists and curators talking programme of practice-led discussions on hospitality, space and contemporary art making, provided much food for thought. Here, Sonya Dyer explores some of the issues and outcomes.
Profiling new courses and developments in postgraduate teaching across the UK.
A round-up of UK projects and presentations, official, collateral and otherwise, during the 54th International Art Exhibition of the Venice Biennale. Projects run 4 June – 27 November 2011 unless otherwise stated.
As an increasing number of publicly-funded arts organisations seek out new models and initiatives for support, Artsway is providing a valuable platform to debate and explore what already exists, raising the issue of how longer-term support of artists can be maintained and increased in a period of arts austerity.
Editorial published in Artists Newsletter in June 1991.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they collaborate with. Running in its current format since 2008 we now have a rich archive of over thirty articles covering hugely varied projects. Here, some select quotes offer highlights and insights into the nature of collaboration.
On 30 March, Arts Council England announced the winners and losers in the new National Portfolio Organisations (NPO) for funding 2012-15. Here’s a-n’s take on what’s happened, the likely impact on artists, independent arts professionals and the arts ecology as well as highlights from some of the many comments and discussions that are in train.
The weeks and months after graduation can be a daunting time. After three years or more of support and guidance suddenly it’s time to go it alone. There are many different ways to pursue your career as a professional artist and no two people will follow the same path. Here, four recent art graduates describe their journeys: from joining a peer-led network to working as an artist’s assistant, they each have a different story to tell.
John Plowman unpicks a new book on collaborative practice by Nuno Sacramento and Claudia Zeiske.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artists Yoke and Zoom and Susan Miles of ACORP give their accounts of a cultural regeneration project with a difference – converting a railway station’s disused toilets into an art gallery.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artist David Cotterrell and Projects Director Carolyn Black reflect on the realisation of a unique and demanding work for the Forest of Dean Sculpture Trail.
To stand the test of time, arts organisations re-immerse themselves into their values to stay ahead and the Centre for Contemporary Arts (CCA) in Glasgow is no exception.
A selection of forthcoming open exhibition competitions, bursaries and prizes for artists.
The Open College of the Arts (OCA) launched Europe’s first MA in Fine Art by distance learning in January.