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Charlotte Frost on the various support systems run by Artsadmin, including information about its head of operations: Toynbee Studios, and examples of several projects it has produced with the likes of: Graeme Miller, Station House Opera and Gary Stevens.

Sara Haq on Judy Freya Sibayan, performance and conceptual artist, curator, publisher and museum.

S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.

S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.

What gives a particular place its characteristics? Why are some cities hip and others lame? How does a neighbourhood change from good to bad?

Sally Davies profiles Kypros Kyprianou, discussing his interest in scientific themes, collaborative working and residencies at Artsway and Allenheads Contemporary Arts.

Finnish artist Tea Mäkipää’s work confronts her viewpoint of impending ecological catastrophe through interventions and installations positing an alternative vision of existence. By Manick Govinda.

Carolyn Black profiles the Bombay Sapphire Prize and explores the nuances of commercial sponsorship of prizes, awards and commissions.

Mark Hutchinson talks to John Russell about his theory and practice PhD at Kingston University.

Last year I did a residency at the IAAB, an international artists exchange programme in Basel, Switzerland.

We set out to work with other artists and curators as well as those people with whom we collaborate on the site of our projects.

Art Gene combines a residency programme with links with education and plays an active part in local regeneration.

A small collective workspace in a converted barn in rural Lancashire.

Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.

Out of the Blue has thrived through establishing a diversity of activities and income streams.

DAW adapted a successful model of an open studios event for a rural location.

Temporary studios can be a useful option for creating project-specific work.

How a partnership with their local university helped FusionARTS secure studio premises.

CRATE successfully accessed economic development and regeneration funds to buy a building.

Jane Watt profiles PACE, public art commissioning agent for Royal Aberdeen Children’s Hospital.

More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.

I’m drawn towards work that offers two opposing features or truths.

I have always been inquisitive about technology.

Brigid Howarth talks to Deutsch Bank curator Mary Findlay about the sourcing and buying of artworks for the largest corporate art collection in the world.