The New York-based artist Heidi Neilson’s Orbital Debris Simulator features in an exhibition of technologically-inspired artists’ books opening at Phoenix Brighton on 30 April. I have been fascinated by Neilson’s work since I encountered her Fake Snow Collection in 2010.

Neilson’s passions are outer space and, closer to earth, the weather (she is co-founder of SP Weather Station, a project to share weather data in Long Island City). She is an accomplished photographer who goes to incredible lengths to capture the data that she analyses through her artworks.

Her practice involves building her own antennae to intercept data from weather satellites; see her Faxes From Space book and the wonderful YOU ARE HERE, a 500-page artist’s book of transmissions received from three weather satellites built at the Klondike Institute of Art and Culture in Dawson City, Yukon Territory, Canada.

For YOU ARE HERE she rigged up her own quadrifilar helicoidal antenna, a device capable of receiving satellite transmissions from horizon to horizon across the northern hemisphere. Made from copper, cables and found materials alongside a radio, USB stick and computer, the captured transmissions were converted to reveal spectacular images of Earth and its weather patterns over Yukon Territory.

Neilson is also adept at building sets; for Tranquility Base, a reimagined catalogue of objects left at the Apollo 11 landing site, Neilson made dioramas of miniature handmade models, complete with astronauts’ footprints on the moon.

Through Orbital Debris Simulator she allows us to picture (in 3D) the physical junk that rotates around the Earth’s orbit – leftovers from our explorations of space. Space-related toys and models are used to depict data visually, explaining how much is out there. It’s also beautifully presented.

Neilson’s magical transformation of raw data reminds us of the enormity of the outer hemisphere and further into space. For me, it also shows the astounding capabilities of this artist as she strives to reveal these wonders to us.

Technology and the Evolution of the Artist’s Book is at Phoenix Brighton, 30 April – 12 June 2016. A weekend of activities will also take place 14-15 May.

1. Heidi Neilson, Tranquility Base, 2012. Digital offset printed and pamphlet stitched by hand, 16 pages, edition of 50.
2. Heidi Neilson, Orbital Debris Simulator, 2010. Screen and letterpress printed, hand bound with aluminium covers, 24 pages with one fold-out page, edition of 70. Viewable in 3D with anaglyph glasses enclosed in side pocket. Published by Women’s Studio Workshop
3. Heidi Neilson, YOU ARE HERE, 2015. Digital offset printed, 500 pages. Satellite transmissions captured on a home-built antenna. Each spread depicts one pass of a weather satellite with the location of the antenna in Yukon Territory, Canada marked by a tiny yellow cross
4. Page detail from Fake Snow Collection, Heidi Neilson, 2010. ‘Annotated images of 40 fake snow specimens, 17 topical readings accompanied by images of fake snow in use, and 24 samples of fake snow’, 75 pages, edition of 100. Published by Visual Studies Workshop Press
5. Heidi Neilson, Faxes from Space, 2014. Digital offset printed, 200 pages. All photos: Heidi Neilson

Use the Artists’ Books series tag for more in the series