exhibitions - a-n The Artists Information Company

Manifesto at Rogue Studios
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Now Showing #266: The week’s top exhibitions

Five recommended shows from across the UK, including: Anni Albers’ at Tate Modern, the inaugural exhibition at Manchester’s Rogue Studios, and an exploration of regret by Tom Hackett at the Storefront, Luton.

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Chloe Dewe Mathews: In Search of Frankenstein, Impressions, Bradford
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Now Showing #265: The week’s top exhibitions

Five recommended shows from across the UK, including: Chloe Dewe Mathews’ photos at Impressions, Bradford; Anna Bunting-Branch’s virtual reality works at Wysing Arts Centre, Cambridge; and Jerwood Visual Arts’ ‘Survey’ show featuring 15 early-career artists.

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Milena Dragicevic, Supplicant 101 (detail), 2008, Arts Council Collection, Southbank Centre, London. © the artist, courtesy Galerie Martin Janda, Vienna
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Now Showing #264: The week’s top exhibitions

Five recommended shows from across the UK, including: A selection of portraits curated by artist Leo Fitzmaurice at the Walker Art Gallery, Liverpool; Jesse Darling’s sculptures, drawings and objects in the latest in Tate Britain’s ongoing Art Now series of free exhibitions; and at Firstsite in Colchester, Raqs Media Collective’s exploration of the history of psychological disorders caused by conflict.

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Rabiya Choudry: COCO!NUTS!, installation view, 2018, Transmission, Glasgow. Photo: Matthew Arthur Williams for Transmission
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A Q&A with… Rabiya Choudhry, painter of “joyous, demented expressions”

For her show at Glasgow’s Transmission gallery, Scottish artist Rabiya Choudhry presents selected works from a six-year period including paintings, printed fabrics and a neon window sign in tribute to her dad. Jessica Ramm asks where her vibrant but troubled paintings come from and what it means to fly solo at this important artist-run space.

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Polly Apfelbaum, Waiting for the UFOs (a space set between a landscape and a bunch of flowers), 2018, Ikon, Birmingham. Courtesy: the artist and Ikon. Photo: Stuart Whipps
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Now Showing #263: The week’s top exhibitions

Five recommended shows from across the UK, including: Polly Apfelbaum’s large-scale site-specific works at Ikon, Birmingham, a new film by Ulla von Brandenburg at Whitechapel Gallery, London, and works by three collaborative duos in Inverness.

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Nina Beier, Left to right: Female Nude (2015) Lodoicea seed, fertilized dirt; Curly Maroon Fade Pixie (2016); Layered Side-Swept Ombre (2015); Rich Copper Charleston (2015); Choppy Layers Blunt Bang (2016); Ebony Volume Frizz (2015) Human hair wigs, painted frames. Courtesy: artist and Spike Island, Bristol; photo: Stuart Whipps.
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Now Showing #262: The week’s top exhibitions

Five recommended shows from across the UK, ranging from a debut Scottish solo show at Glasgow’s Transmission Gallery to Christian Marclay’s world-renowned film installation The Clock at Tate Modern, plus exhibitions in Bristol, Southampton and Birmingham.

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Job Exhibiting

Open Call: Take Back Control

This is a call out for artists of all mediums interested in responding to the role of ‘news’ during Brexit.

William Kentridge, Untitled (Video Transfers), 2002. Courtesy and © the artist, 2018
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Now Showing #260: The week’s top exhibitions

This week’s selection of recommended shows includes: The Hayward Gallery’s new touring drawing exhibition at St Albans Museum and Gallery; magic, ritual and witchcraft at the Ashmolean Museum, Oxford; and the inaugural exhibition at S1 Artspace’s new gallery space at Sheffield’s Park Hill estate.

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