exhibitions - a-n The Artists Information Company

Andy Goldsworthy, Silver Birch Forms For Hooke Park, Hooke Park Dorset, April 1986. Courtesy: Yorkshire Sculpture Park
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Now Showing #245: The week’s top exhibitions

This week’s selection of recommended shows includes arts and environmental charity Common Ground’s exhibition at Yorkshire Sculpture Park, Richard Long’s new stone circle work at Lisson Gallery in London, and a site-specific kinetic sculpture by Max Eastley at Perrott’s Folly in Edgbaston, Birmingham.

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Blog Post

Perfume and Planets at Platforms Project

Next week I travel to Athens to participate in Platforms Project – an independent art fair in the heart of the city. It’s the 3rd time I will have entered work into the art fair, and the 2nd time I’ve […]

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Antony Cairns, LDN5_051, 2017. Courtesy: the artist; © Antony Cairns
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Now Showing #244: The week’s top exhibitions

This week’s selection of recommended shows includes abstraction and photography at Tate Modern, video and sound collage at Dalby Forest in North Yorkshire, plus site-specific installation at Mellerstain House, Gordon on the Anglo-Scottish border.

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Anne Hardy, Area of Overlap, 2018, super 16mm film transferred to digital projection with 6 channel (5.1) audio, 7:21 min. © Anne Hardy; Courtesy Maureen Paley, London
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Now Showing #243: The week’s top exhibitions

This week’s selection of recommended shows includes film and photography at Maureen Paley, London, sound art assemblages at Ikon Gallery, Birmingham, and walking data turned into abstract forms at Vane in Newcastle.

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Michelle Hannah, 'Keener', The Savings Bank, Glasgow, part of Glasgow International 2018. Photo: Ross Fraser Mclean; Courtesy: the artist
Review

Glasgow International 2018: Michelle Hannah – Keener

Rachel Magdeburg, one of eight a-n members selected for the a-n Writer Development Programme 2017-18, reviews Glasgow-based artist Michelle Hannah’s multifaceted and dramatic installation at The Savings Bank, presented as part of Glasgow International 2018.

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Blog Post

The Art of Keeping Busy

The more stuff you are doing, the less time you have to write about it. That’s a saying, isn’t it? Well if it isn’t it should be. Over the last 10 days I have been so embroiled by artistic activity […]

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Damien Meade, Untitled, 65x49.5cm, oil on wood, 2018. Courtesy: Peter von Kant
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Now Showing #239: The week’s top exhibitions

This week’s selection of recommended shows includes: new works by Karen Cunningham in Dumfriesshire, Damien Meade’s paintings based on clay maquettes in London, William Copley’s mail art project in Sheffield, and Jenny Saville’s portraits in Edinburgh.

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Claire Barclay at Mission Gallery, Swansea. Photo: Matthew Otten
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A Q&A with… Claire Barclay, artist responding to industrial contexts

For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.

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Linder, You search but do not see, 1981-2010. Courtesy of Stuart Shave/Modern Art, Dependance, Andrehn Schiptjenko, Blum & Poe.
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Now Showing #238: The week’s top exhibitions

This week’s selection of recommended shows includes: Linder’s photomontage in Nottingham, the AV Festival in Newcastle and Gateshead, film essays in London, painted linguistics in Edinburgh, and polymorphous milk in Birmingham.

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Thomas Bang, INTERLOPER 3, 2018. Plywood, textiles, leather, paint, iron, 207 x 102 x 74 cm.
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Now Showing #237: The week’s top exhibitions

This week’s selection of recommended shows includes: punctured funerary portraits in London, intimacy and autonomy in Dundee, wildflower seeds in Glasgow, intimate moving image in Powys, and Charles Rennie Mackintosh stories in Northampton.

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Blog Post

Saturn and Sillage

Perfumed Planets #1 – Saturn and Sillage As my work for my upcoming solo show in Blackburn is ticking along nicely I thought it appropriate to dedicate the next three weeks arriving at some important creative decisions concerning my upcoming […]

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Abbie Trayler-Smith, Fleeing Mosul c-type, edition of 7, 30.5 x 37.5 cm. Courtesy: Abbie Trayler-Smith and Anima-Mundi
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Now Showing #236: The week’s top exhibitions

This week’s selection of recommended shows includes: Pumpkin paintings by Japanese artist Yayoi Kusama at Omer Tiroche Gallery in London, and in St Ives, Anima Mundi’s exhibition of Abbi Trayler-Smith’s photographs showing the effects of Isis on the people of Mosul in northern Iraq.

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