Assemble: Clay Station, Seven Sisters Underground Station, London
Clay Station is Turner Prize winning architecture collective Assemble and artist Matthew Raw’s commission for Art on the Underground, Transport for London’s public art programme. The work has involved the refurbishment and remodelling of a commercial unit at the entrance to Seven Sisters Underground station which has lain empty for more than a decade. More than a thousand hand-made tiles were produced for the project, with the space being equipped with a kiln to allow for production of the tiles on site. In addition, this will facilitate a series of workshops where station staff, local residents and community groups can learn the techniques used in the project to create smaller ceramic objects.
Jacqueline Donachie, Fruitmarket, Edinburgh
Winner of the inaugural Freelands Award, Glasgow artist Jacqueline Donachie’s show features sculpture, installation, photography, film and drawing. It includes a new version of her minimalist sculpture and performance piece Advice Bar, which is hosting a programme of advice sessions throughout the exhibition. Further participatory works include a series of new sculptures that audiences can look at, sit on, stand beneath and measure themselves against.
Until 11 February 2018 (closed 24-25 December) www.fruitmarket.co.uk
Astronomy Photographer of the Year, Royal Observatory, London
The biggest international competition of its kind, this annual exhibition showcases images shot by astrophotographers worldwide. The pictures capture a variety of celestial spectacles, including moons, stars, planets, galaxies, nebulae and the various astronomical events of the last year. There’s a lot to see, with 31 prize-winners and an interactive exhibit featuring all 146 shortlisted images.
Until 22 July 2018 (closed 24-25 December), www.rmg.co.uk
Cecily Brown: Shipwreck drawings, Whitworth, Manchester
British painter Cecily Brown’s intriguing work is partly inspired by the history of painting, often referencing artists ranging from Rubens to Willem de Kooning. Here she takes on Gericault’s The Raft of the Medusa, from 1819, with Brown re-examining human presence, figuration and representations of maritime tragedy throughout history.
Until 15 April 2018 (closed 24-26 December & 1 January), www.whitworth.manchester.ac.uk
Modigliani, Tate Modern, London
Although Italian Jewish artist Modigliani only lived to the age of 35, his impact on 20th century painting was significant. This show includes 12 of his nudes, the largest group ever reunited in the UK. Although they might seem a tad timid by today’s standards, the works proved controversial when they were first shown in 1917, leading police to censor his only ever solo exhibition on the grounds of indecency. Tate’s show also includes portraits and sculptures by the artist, as well as a recreation of Modigliani’s final studio using VR.
Until 2 April 2018 (closed 24-26 December), www.tate.org.uk
Sofia Stevi, Baltic, Gateshead
Greek artist Sofia Stevi makes paintings, sculpture and works on paper, with her colourful images referencing a raft of different influences, ranging from the writings of Victorian poet Christina Rossetti to found images on Instagram. Made with Japanese ink on untreated cotton fabric, her paintings have a cartoon-like expressiveness that hints at fleshy fruits and soft body contours.
Until 22 April 2018 (closed 25-26 December & 1 January), www.baltic.art/whats-on/sofiastevi
Thomas Bock, Ikon, Birmingham
This exhibition is the first in the UK dedicated to the work of Thomas Bock. In 1823 he was found guilty of ‘administering concoctions of certain herbs … with the intent to cause miscarriage’ and sentenced to transportation to Australia for 14 years. Soon after arriving he began working as a ‘convict artist’, painting a number of portraits of captured bushrangers, before and after execution by hanging, including the notorious cannibal Alexander Pearce. However, at the heart of this show is Bock’s series of portraits of Tasmanian Aboriginal people, capturing the tragedies they suffered through the British settlement in Australia.
Until 11 March 2018 (closed 24 December – 1 January), www.ikon-gallery.org
Kimchi and Chips: Line Segments Space, QUAD, Derby
QUAD’s winter exhibition features the first UK showing of the immersive installation Line Segments Space by Seoul-based artist and technology duo Kimchi and Chips. The work features a sprawling web of threads that are illuminated within the darkened gallery space. The show also features sound design by composer and multi-instrumentalist Junghoon Pi, which adds to the otherworldly feel.
Until 28 January (closed 25 December & 1 January) www.derbyquad.co.uk
Kati Heck, Sadie Coles, London
For German artist Kati Heck’s first solo show in London she is presenting six new paintings, alongside two smaller portraits and a video sculpture. She explores a variety of themes including ‘loneliness, youth, beauty, drunkenness and separation’ with the works loosely based on Gustav Mahler’s Das Lied von der Erde, a six-part symphony from 1909 in which Chinese poems from the Tang dynasty are set to music.
Until 10 February 2018 (closed 21 December – 3 January), www.sadiecoles.com
Emergency, Aspex, Portsmouth
Aspex’s annual international open exhibition is not thematic, with the aim instead to show as wide a variety of different types of work as possible. With a focus on emerging practitioners, eight artists were selected from over 300 applications: Eleanor Breeze, Matthew Gough, James Lewis, Lindsey Mendick, Flore Nové-Josserand, Beth Emily Richards, Maggie Roberts and Lotte Rose Kjær Skau. The winner of the biennial award receives a solo exhibition in 2019, a fee and support to develop new work. This year also sees the introduction of a People’s Choice award, with the winner of the public vote receiving a £200 prize.
Until 28 February 2018 (closed 24-26 & 31 December & 1-2 January), www.aspex.org.uk
1. Assemble and Matthew Raw, Clay Station, for Art on the Underground, 2017. Photo: GG Archard
2. Modigliani, Beatrice Hastings, 1915. Oil on paper, 400 x 285 mm. Private Collection
3. Sofia Stevi turning forty winks into a decade installation images, BALTIC Centre for Contemporary Art, Gateshead. Photo: Colin Davison. Copyright: 2017 BALTIC
4. Thomas Bock, Mathinna, 1842. Watercolour, 30.2 x 24.9 (irregular). Presented by Mrs J H Clark, the artist’s grand-daughter, 1951