Fees and Payments - Page 3 of 5 - a-n The Artists Information Company

El Lissitzky 
Sportsmen
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Art Turning Left: politics and process at Tate Liverpool

Art Turning Left, a new and wide-ranging exhibition at Tate Liverpool, explores how artists have incorporated political beliefs in their work and how this has changed the way it is produced. The artist and AIR Council member Emily Speed reviews the show and reflects on its relevance to her own practice.

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Will Paint for Food
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Artists’ fees: issues with the Greens

As Australia prepares to go to the polls, a British artist has taken to her blog to complain about her treatment by the Australian Greens – a party that says it will support young and emerging artists.

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Paying artists: funding, frictions and the future

As the first results from AIR’s Paying Artists Survey make clear, artists are finding themselves at the end of the arts food chain as funding cuts bite. Here, a-n’s Director looks at how things stand and suggests a future where practitioners determine the status of their art and of artists.

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Research Working practice

The artist and exhibitions

How do artists fare when they show work in publicly-funded galleries in the UK? A one-page infographic shows statistical information about artists’ income from exhibiting and the support they receive. Research led by AIR as the first stage in the Paying Artists campaign.

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Artists and Exhibitions
Resource Research paper

Artists and exhibitions

How do artists fare when they show work in publicly-funded galleries in the UK? Research in 2013 led by AIR – Artists Interaction and Representation as the first stage in the Paying artists research and campaign presents some thought-provoking data […]

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AIR AIR activities

Research into artists’ fees commissioned

Following AIR Council fact-finding and sifting of artists’ opinions over recent months, consultants DHA Communications have been commissioned to develop a body of evidence and advocacy tools for a campaign highlighting the need to pay artists for their vital contributions to arts and culture.

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SAU Logo
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An international view on artists’ fees

Are there more effective ways to demonstrate the value of artists within culture? And what can we learn from policies in other countries? a-n’s Director reports on current UK developments and looks at approaches in Australia, Canada, Sweden and Norway.

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Screen grab from www.welikeartists.com
Resource Archive Feature

More ways to make and save money

The continued economic doldrums and uncertainty in public funding make it more important than ever for artists to find ways to make and save money. So here are some tips – old and new – from the a-n community.

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Resource Archive Discussion

New opportunities

I have recently responded to a couple of exhibition opportunity announcements and followed them through – the most recent: Calling all artists for a group exhibition at The Brick Lane Gallery.

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March for the alternative, anti-cuts protests, London
Resource Archive Feature

Making connections

News and updates on AIR’s strategies and activities designed to support professional artists within their practice and working lives.

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Resource Archive News archive

Calls to arms

Artists and supporters of art are being rallied to support final implementation of an important Right for artists, their families and beneficiaries.

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Resource Archive News archive

Money talks!

With a-n + AIR’s recent Big Artists Survey revealing that a third of both mid-career and established artists expect their incomes to go down this year when compared to a year ago, Artquest’s new development will strike a chord with many artists as they navigate the increasingly harsh economic environment for their practice in the months ahead.

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Resource Archive News archive

Payback for artists

This year, DACS has £4m of royalties on offer to pay to artists and AIR members whose work has been reproduced in UK books or magazines or on certain television channels.

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Resource Archive News archive

That was the year that was

“The artist has always occupied a privileged but fragile position in the public eye. For centuries, we have looked to artists across all disciplines to inspire and entertain us, to help us explore the limits of human nature and human possibilities, [and] at times to lead debate and forment revolution.”

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