
New Light Prize Exhibition 2015
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Archive
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Venue:
Bowes Museum -
From:
October 17, 2015 -
To:
February 07, 2016 -
Location:
North East England
Time can be a funny thing. When you are not looking, it just slips by as if nothing, yet it can be such an important factor in the creating and making of things. I have been working on quite a […]
A first London show by Artist-curator Jane Boyer.
For the Coastal Currents festival, Tod Hanson has created a site-specific work that covers the entire floor of the historic Durbar Hall in the Hastings Museum and Art Gallery. Dany Louise finds out about his process, inspiration and influences.
Analyzing myself through my own sexual attraction to others. Attempting to ascertain the difference between human, social and animal attraction…hopefully identified the absurdity of ‘hardwired’ but no longer relevant attractions.
Adam Fenton’s Painting Club Ben Clarke, David Dellagi, Mark Edmonds, Adam Fenton, Callum Green, Fiona Long, Paula MacArthur, Benjamin Prosser, Matthew Randle, Mark Sheeky, Hideatsu Shiba, Dovilė Šimonytė, Eleanor Watson Adam Fenton’s Painting Club brings together a diverse range of […]
Living and painting on an island adds focus to my practice.
But can this be a negative thing?
So I did it. I created, designed, organised, curated and ran a pretty big arts festival this summer and as it was our first one it is to be considered quite a stinking success. Over nine days we had 19 […]
Solo show at Salt & Pegram, just off Brick lane. Here are some pictures from the opening night. It’s on for a few weeks – so check it out if you’re in the area.
Just trying this out. I work across printmaking, painting and mixed media depending on what I feel suits. I work full time as an art technician and do some teaching in Oxfordshire. You can see much more of my work […]
A bit of delay in the latest posting as it took me a while to work out my sub was due to Artists’ Network: the administration of modern life! I wanted to post a review of Afgang, 2015, the graduation […]
I think sometimes that my paintings are stronger together rather than alone. Like somehow they form part of a wider narrative. Perhaps like scenes from a film that taken out of context might be insignificant, hollow, or incomplete. I’m […]