Commissioned as part of Paying Artists research portfolio, Sarah Thelwall’s report explores how public sector galleries can think differently about budgets for artists’ fees.
Paying Artists - Page 6 of 7 - a-n The Artists Information Company
Susan Jones’ analysis and commentary uses data drawn from a-n.co.uk/jobs to track current trends in artists’ employment opportunities.
Susan Jones’ analysis and commentary of Artists’ work in 2013 uses data drawn from a-n.co.uk/jobs to track current trends in artists’ employment.
Key resources and tools from across this site that talk about the principles and practical application of good practice
Guides from the a-n resources that I regularly refer to.
Marina Abramović’s New York-based institute for performance art is looking for experienced applicants for some key part-time roles. But there’s a catch – you need to be able to commit to two or more days a week and not expect to get paid.
a-n / AIR’s Paying Artists campaign video is now live – watch, like and share widely to support the campaign!
As part of the Paying artists advocacy materials I am researching examples of openly-published exhibition policies on the websites for publicly-funded galleries. I have come across some – for example fabrica.org.uk/info-for-artists/exhibiting/ and www.g39.org/cgi-bin/website.cgi?place=infomation that provide some useful information. I thought […]
In just over one week, more than 1000 supporters have signed up to back a-n and AIR’s Paying Artists campaign.
a-n/AIR’s Paying Artists campaign launches today with its own dedicated website at www.payingartists.org.uk
The Paying Artists Campaign is attracting comment across the visual arts as Arts Council England chair Peter Bazalgette tweets his support and others offer practical help and advice.
In the run up to the launch of the Paying Artists Campaign, a-n has published two new research reports covering international models for artists’ fees and the history of Exhibition Payment Right in the UK.
This report – the sixth in the Paying Artists research portfolio – draws together examples of how artists’ fees for exhibiting are arrived at in Sweden, Norway, Canada and Poland; and the conditions and contexts that underpin their application.
Draws together some examples of how artists’ fees for exhibiting are arrived at in other countries and the conditions and contexts that underpin their application.
Provides a historical context within the Paying Artists campaign of the Payment to Artists for Exhibition of Work scheme implemented by the Arts Council of Great Britain in 1979.
Provides a historical context of the Payment to Artists for Exhibition of Work scheme implemented by the (then) Arts Council of Great Britain in 1979.
The art of living dangerously in pdf format
A short paper that briefly reviews some of the existing literature that has been referenced or has provided useful context and comparison for the Paying Artists study.
A collation of material shared across social media and peer networks during 2013-14 that provides insights around the broad topic of payment of and working conditions for freelance arts professionals. The report complements the more traditional Literature review produced for the Paying Artists campaign by DHA Communications.
Dany Louise collates material that is being widely shared across social media and peer networks to provide fascinating insights around the broad topic of payment of and working conditions for freelance arts professionals, complementing the more traditional Literature review that has been produced by DHA.
A short paper that briefly reviews some of the existing literature – research, resources and approaches to artists’ terms and conditions in exhibition practice – which have been referenced or provided useful context and comparison for the Paying Artists Study.
Susan Jones introduces a collation of key documents and evidence that informed a-n’s publication of fees and payments guidance and good practice documents in 2003-04. The report aims to widen understanding of the history of, and prior good practice thinking around, payment to artists.
Susan Jones introduces a collation of key documents and evidence that informed a-n’s publication of fees and payments guidance and good practice documents. This report aims to widen understanding of the history and prior good practice thinking and attitudes around payment to artists.
Second phase of a-n/AIR-commissioned research, exploring artists’ and venues’ experiences of exhibiting in publicly-funded venues. Phase 2 findings build on data from Phase 1 and are based on interviews conducted with artists and venues.
Second phase of research study commissioned by a-n and AIR looking at artists experiences of exhibiting in publicly-funded venues. Overview of main findings from interviews with artists and publicly-funded venues that deepens understanding of data Phase 1 findings and explores perceptions and issues from both sides of the experience.