I’ve been lucky enough to be given access to a garden over lockdown – I live in a small-ish two bedroom flat on the second floor, nice views of London but no garden space. Going out onto the streets to […]
I ran my crowdfunding campaign (to help with foundry costs to cast my sculpture in bronze) with nothing but preliminary drawings, maquettes and digital visualisations of the piece in situ. Bearing in mind that in the past my art has […]
This is a blog post about my emerging way of Art or process.
We had our second meeting with Jungian analyst Catherine Bygott in Somerset on Friday. As well as discussions she led us in a physical exercise to connect us to our unconscious self. It was a challenging activity but really interesting […]
There is something meditative about being in this field. A slightly altered state of mind. Rhythms form over time, linked by the experiences of previous visits. Revisiting drives my growing curiosity. I visit those areas I have been before, those […]
Y’know when you have too many ideas and too many potential avenues to explore in your practical work to the point you don’t actually do anything because you don’t know what idea is the best to realise or invest time […]
Work from a community project designed to increase public awareness of Kaleidoscope Gallery
Thoughts on bronze during my course and residency at the Scottish Sculpture Workshop, funded by A-N Artist Bursaries 2018. www.clareburnett.net
This blog will be an anchor point/place for me to discuss and reflect on discoveries I make and new experiences I encounter for the duration of a Fellowship with Random String.
www.natalieramus.com
(Photo credit: Julia Bauer)
The workshop at no.w.here lab reminded me what it is like to have stuff in your hands. Stuff in your hands that you are actually making something with. Alongside all my works produced via digital technology, with nothing more than […]
I am currently transforming my studio – I’ve moved and painted the exterior blue, the interior has now been insulated, I’ve painted it white and building shelves and worktops. It is an equally big transformation for me psychologically as I […]
I have continued to explore memento and artefacts. My interest in the urn has increased and I am currently working with vessels of various shapes and sizes. I am considering the mother as a vessel and the interchangeability of the […]
During 2018 to July 2019 I am one of ten artists working as part of a project, ‘Surrey Unearthed’ across the Surrey Hills. I am an artist and papermaker and work by walking, collecting, interacting with people and making.
studio activity, February 2018.
The possibility of a new studio is simultaneously good and shifting. The landlord and leasing agent (a local housing association) are keen for us to take over the lower ground floor rooms of an old school gymnastics hall – which […]
In December I submitted the final drafts to the first two modules on the MA. I navigated and battled my way through feminist artists in history and women who have presented work relating to the relationships they hold with their […]
Endless Horizons & Ever-changing Skies: An Exploration of the Colour & Forms of the British Landscape
Responding to: Daniel Oliver’s performance workshop: Max Dyspraxe’s Post-Aprokrolips Chipolaterartparty 30 October 2017 Green Rooms, London See Eirini Kartsaki’s response to the same workshop here: https://www.a-n.co.uk/blogs/altmfa-artist-group-bursary-the-future/post/52517774
Re-imagining objects collected from recent beach walks I’m transfixed by the translucence of things. Lit from below, I can see through shells. New layers of surface and texture emerge, bringing new landscapes, perhaps the moon? Photographed closely I can see […]
From one crabby body to another. Breathing new life into bits of crab chewed and discarded by herring gulls. A joyful playful studio space. Heart: Skull: Lungs: Intestines: Dancing Legs/Pointing Fingers: Flamingo:
Experimenting with a light box – silhouettes of dancing egg cases and holed stones.
In time things accumulate. It is not always easy to notice. When dust starts to collect, it is only once it has gathered in swaythes, the sun comes out and casts new light on it, that it gets noticed. Grains […]
I am interested in the way in which Gerhard Richter created a vast number of ‘overpainted’ photographs. These are categorised into groups such as ‘self portraits’ and ‘family’. Each colour photograph has been overpainted with oil paint, and simply titled […]
